<福善禍淫歌>의 서술구조에 대한 和諍記號學的 분석

Abstract

<Bokseonhwaeumga> is the second variation Gyenyeoga that portrays the successful life of Lady Lee who cultivated womanly virtues and who raised the reputation of her family through the accumulation of wealth in addition to Goidong Eomi who conducted immoral acts and who ruined both herself and her family by failing to accumulate wealth through the use of comparative narrations. The work has been studied in various ways, but special status of a noble woman, socioeconomic situation of late Joseon, narrative structure of <Bokseonhwaeumga> as a text and diversified interpretation that embraced those who shared <Bokseonhwaeumga> were not fully analyzed. In this regard, the study applied Hwajaeng-Semiosis in order to interpret <Bokseonhwaeumga> in a new way. Hwajaeng-Semiosis refrains from confrontational study methods and conducts analysis on an author, texts, contexts and appreciators all together. In Hwajaeng-Semiosis, a collective view of the world that Koreans unconsciously have is interpreted through the use of ‘Han’ and Hwajaeng of ‘Han’. Noble women in the late Joseon established their own value system by composing Gyenyeoga and harmonized ‘Jung’, a happy life in their parents’ home, with ‘Han’, an exhausting life in their husband’s home, to achieve equilibrium of life. In the meanwhile, in <Bokseonhwaeumga> that was written by noble ladies from ruined families in country districts in the late Joseon, ‘Jung’ and ‘Han’ had a lot to do with accumulation with wealth. ‘Jung’ is referred to noble women’s desire to lead a stabilized life in terms of politics, status and economy, but as they marry poor men, ‘Jung’ is broken, and they have ‘Han’. However, the speaker achieves Hwajaeng in life by overcoming ‘Han’ in the belief that the current difficulty would end someday. If <Bokseonhwaeumga> is considered as an exaggeration, the structure of ‘Jung’ and ‘Han’ changes. ‘Jung’ is referred to as an ideal life, and ‘Han' is referred to as a hopeless reality. The creation and appreciation of <Bokeumhwaseonga> led to the embracement of the two and the achievement of equilibrium. <Bokeumhwaseonga> refrains from confrontations between ‘Jung’ and ‘Han’ and achieves Hwajaeng of the two, so it embraces various dreams and hopes of women who wanted to overcome hopelessness of life. ‘Pum’ of the work includes narration, growth, marriage procession, poor husband’s home, management of wealth, accumulation of wealth, restoration of family, Goidong Eomi narration, Gyenyeo and closing. ‘Mom’ reflects and refracts the reality of each narrative paragraph. ‘Jit’ is referred to as appreciators from all walks of life interacting with <Bokseonhwaeumga>, and ‘Cham’ is a hidden meaning of the work.