무명씨를 통해 본 『영언』(이근배본)의 가집사적 위상

Abstract

This study set out to analyze the classification methods adopted in Mumyeongssi of Yeongeon(Lee Geun-bae version) and examine its status in the history of anthologies based on them. There are total of 160 works in Mumyeongssi of Yeongeon(Lee Geun-bae version), and they were divided into 100 in the former part and 60 in the latter part for analysis. The 100 works in the former part were arranged according to the content classification system inherited from Kim Cheon-taek's Cheongguyeongeon and adjusted and supplemented for this anthology. The 60 works in the latter part were mainly comprised of works that had nothing to do with Kim Cheon-taek's Cheongguyeongeon and arranged according to the principle of association. In the end, it seems that the classification system of Mumyeongssi in Yeongeon(Lee Geun-bae version) adopted a dual structure of "classification by the content + principle of association" for the arrangement of works. This reflects a transitional aspect in the flow of classification in Mumyeongssi of anthologies. Anthologies in the early and middle 18th century including Kim Cheon-taek's Cheongguyeongeon selected works mainly according to the content`s classification. Haedongpunga-or Haedonggayo(Il Seok version)-, which is estimated to have been published in the late 18th century ~ early 19th century, has the works arranged according to the principle of association. Considering these, it is understood that Yeongeon(Lee Geun-bae version) with its transitional characteristics was published in the latter half of the 18th century.