『永言』(이근배본)의 문헌 특성과 계보

Abstract

In this article, the newly discovered Gajib 『Yeongeon(永言)』 was introduced to the academic world and the bibliographic characteristics and genealogy were revealed. 『Yeongeon』 is owned by Sijo poet Lee, Geun-bae(李根培). Therefore, in this paper, "Youngeon a collection of Lee, Geun-bae" was distinguished from other Gajips of the same title. 『Yeongeon』(a collection of Lee, Geun-bae) is a manuscript and consists of two books, one is a part of Geon(乾) and the other is a part of Gon(坤). It was compiled during the reign of King Jeongjo(正祖) in the late 18th century, and it was found out that it has been reprinted by Park, Lae-won as it now in 1809. The works consist of 572 Sijo which were 336 numbers in the part of Geon and 236 numbers in the part of Gon. The organization of 『Yeongeon』(a collection of Lee, Geun-bae) is based on classification by music like other Gajips of 18th-century and by name of authors in case of Isakdaeyeop(二數大葉). The music was composed of ‘Chojungdaeyeop(初中大葉)’, ‘Ijungdaeyeop(二中大葉)’, ‘Samjungdaeyeop(三中大葉)’, ‘Bukjeon(北殿)’, ‘Ibukjeon(二北殿)’, ‘Chosaacdaeyeop(初數大葉)’, ‘Isakdaeyeop(二數大葉)’, ‘Samsaacdaeyeop(三數大葉)’, ‘Yongga(聳歌)’ and ‘Manheong(蔓橫)’. Sakdaeyeop, which was the music of those days, was placed in the center. In front of it, the Jungdaeyeop, which was recognized as an old tune, was positioned and, it put Yongga and Manheong that appeared newly in the 18th century behind of Sakdaeyeop. The center of these is Isakdaeyeop. Isakdaeyeop divided authors into a person whose name exists and a person unknown. The author whose name exists was listed in sub-categories in the following order: ‘Haedongjejak(海東諸作)’, ‘Bonjo Eoje(本朝 御製)’, ‘Bonjo(本朝)’, ‘Hansanin(閑散人)’, and ‘Changryu(娼流)’. Unlike other Gajips, that ‘Eoje’ is placed in front of ‘Yeomal(麗末)’, it is different from other Gajibs in that it is in front of ‘Bonjo’, and the items of ‘Hansanin’ combines the ‘Yeondaegeolgo(年代欠考)’ and ‘Yeohangsanin(閭巷人)’ of other Gajibs. In ‘‘Haedongjejak’, a collection of authors from before the Goryeo Dynasty`s end, the 13 new authors who were not seen in the previous gajib appear. The ‘Bonjo’, which contains the Joseon dynasty`s works includes many contributors to Joseon's nation unlike the previous Gajib. Also, it, meanwhile, shared its characteristics such as 『Sijo(詩調)』(a collection of Jongeonggak), 『Chungguyeongeon(靑丘永言)』(a collection of Jangseogak), 『Gajobyeolram(歌調別覽)』, and 『Siga(詩歌)』(a collection of Park’s) and authors who were included only in the 『Haedonggayo(海東歌謠)』 like Lee Jeong-bo(李鼎輔) were converged. There were two flows that one originated from 『Cheongguyengeon(靑丘永言)』(Gimcheontaek edition) to 『Sijo』(a collection of Jongeonggak), 『Chungguyengeon』(a collection of Jangseogak), 『Gajobyeolram』, 『Siga』(a collection of Park’s) sequently and the other which is divided into 『Haedonggayo』 and inherited in the 18th. It can be said that these two lines of compilation were finally merged into 『Yeongeon』(a collection of Lee, Geun-bae). This flow, which was formed in 『Yeongeon』(a collection of Lee, Geun-bae). Passed through 『Chungguyeoungeon(靑丘永言)』(a collection of Hong, Jae-hu), 『Chungguyeoungeon(靑丘詠言)』(a collection of Garam), 『Akbu(樂府)』(a collection of Seoul Univ.), 『Akbu(樂府)』(a collection of Nason), 『Shiyeo(詩餘)』(a collection of Kim, Seon-pung) later, and it was recognized that the collection of transmitted works was once again achieved in the 『Byeongwagagokjip(甁窩歌曲集)』. Like this, 『Youngeon』(a collection of Lee, Geun-bae) was a very important node where various Gajib compilation flows in the late 18th century met. 『Chungguyeoungeon』(a collection of Hong, Jae-hu) is an abbreviated version that is selected by the Sadaebu authors-centered in 『Youngeon』(a collection of Lee, Geun-bae).