18세기 歌集 編纂과 無名氏

Abstract

The purpose of this article is to reconsider the composition of the anthology compilation which was identified as the center of yumyeongssi(identified person) by searching the genealogy of mumyeongssi(unidentified person) of 18th century anthology. Mumyeongssi is an item of Isakdaeyeop which is a collection of words whose author was lost. It appeared only in the anthology compiled in the 18th century, which is widely known in the field of songwriting. The basic framework of mumyeongssi was appeared in 『Cheongguyeongeon』 (compiled by Gim Cheontaek). Gim Cheontaek selected and categorized the widely searched lyrics and recorded them in the mumyeongssi section. It was a song that was widely called losing the name of the artist. 104 were selected and classified into 54 themes. This framework is used as it is in anthology compilation. The mumyeongssi of the anthology of the mid to late 18th century shows various variations according to anthology while the influence of 『Cheongguyeongeon』 (compiled by Gim Cheontaek) continues. 『Cheongguyeongeon』(Bak Sunho) proved to have faithfully succeeded 『Cheongguyeongeon』(compiled by Gim Cheontaek) mumyeongssi. In addition, the flow from 『Cheongguyeongeon』(compiled by Gim Cheontaek) → 『Sijo』(Jongyeonggak) → 『Cheongguyeongeon』(Jangseogak) → 『Gajobyeollam』 are figured out, also 『Cheongguyeongeon』(Jangseogak) → 『Yeongeon』(Lee Guenbae) → 『Cheongguyeongeon』(Hongssi) was also differentiated. These are the types of new works arranged on the basis of 65 mumyeongssi of 『Cheongguyeongeon』(compiled by Gim Cheontaek). In addition, 『Haedongpunga』 and 『Donggaseon』 are noted as examples of the transitional editing form of mumyeongssi at the end of the 18th century. The genealogical context of mumyeongssi identified above is completely different from the existing understanding of the flow of the 18th century anthology compilation centered on the 『Cheongguyeongeon』(compiled by Gim Cheontaek) and 『Haedonggayo』. In the early 19th century, the mumyeongssi items gradually disappeared as anthology became a full-scale music system. 『Cheongguyeongeon』(compiled by Gim Cheontaek) mumyeongssi, like Cheongguyeongeon』(Garam), has been fully accepted. However, the songs of the time, which are in harmony with the music, were selected by the mumyeongssi and the old songs were refused. And the influence of 『Cheongguyeongeon』(compiled by Gim Cheontaek) is markedly weakened. The boundary between yumyeongssi and mumyeongssi parts appears blurred. In the meantime, the number of mumyeongssi works increases because it contains mumyeongssi, which is a song that has a lot of musical coordinates. Thus, a fixed system such as subject classification was no longer an important consideration in the arrangement of mumyeongssi works. It is only that the reminiscence principle which is easy to memorize the words is applied. This is why most of the edited mumyeongssi at this time are not clearly visible on the topic level and affiliation. However, in some parts of 『Siyeo』(Gimssi) mumyeongssi only the association with 『Cheongguyeongeon』(Jangseogak), 『Gajobyeollam』 is captured.