신자료 <해운정유람가>를 통해 본 내방가사의 전통과 근대

Abstract

The purpose of this study is to introduce the newly reported Naebanggasa “Haeunjeong Yuramga” created in the 1930s and reveal the meaning of this work in relation to the course of modern Naebanggasa. “Haeunjeong Yuramga” is a full-length lyric depicting the experiences of women who gathered at their parent’s house on the occasion of the New Year’s Festival and their family’s travels. This work actively reveals women’s interest in sightseeing and entertainment and can be considered a work that captures the activity and cultural knowledge of women in the traditional era. The traditional family relationships and family consciousness of the family are revealed in the wedding scenes and descriptions of family gatherings that serve as an opportunity to visit the parents’ home. At the same time, in this work, landscapes changed by modern civilization such as railroads, cameras, and phonographs are interspersed with sightseeing experiences. This work, which captures the signs of an era where tradition and modernity intersect, can be said to be useful data for reconstructing the contemporaneity of Naebanggasa in the 1930s. New data on Naebanggasa that has been continuously discovered and reported to date shows that the 1930s were not the ‘end of the Gyubanggasa era’ but a time when it was still adopted as a method of communication and recording for women. In other words, it can be said that Naebanggasa during this period was still effective as a local living culture and a medium to connect within and between families.