<단발령(斷髮嶺)>과 <금상첨화(錦上添花)>의 전래 서사 수용 및 변전 양상 연구

Abstract

In this paper, it is proved the fact that the work was transition as close to a sinsoseol(a kind of a novel in early modern). Works of <斷髮嶺> and <錦上添花> as a sinsoseol were published from Singusurim in 1913, have been classified into sinsoseol in particular, actually it revealed the fact that was written and contains folk narratives a variety of such ancient novel. First, <斷髮嶺> is contained, but more directly, it is affected the same episode, certain old works of fiction <華山重逢記>. However, it is covalently similar content it may be to be found a clear difference full novel. There is a surface due to changes in technical aspects, and the substation in a form similar to the form of the new novel mainly I confirmed the point. For this reason, to define the type ancient novel simply this work is that there is a hard surface also not be denied. In addition, <斷髮嶺> is also a work by coupling in the form of illustrations Part 1 storyteller depicting the success of your insidious history, is showing the appearance of compounding narratives. It is showing the similarity of the most striking illustrations and bobbed ordinance with <Dong-sik Yu that made the wedding of brother and sister> of 138th episode of 『靑邱野談』. Work writing method based on a combination of Scrivener is Ihejo manifestation of which was announced in 1908 appeared early in the new novel even <鴛鴦圖>. Magnificent compounding was announced in the early 1910′s here of <斷髮嶺>, in fact, work was known as a new novel so far, finished in work through the compounding deformation of the ancestral transition in fact is significant in that there is a possibility that, as suggested could be confirmed by additional work was written in this manner. Next, the case of <錦上添花>, it can be compounded with the aspect receiving the legacy scribes is clearly appears relatively. To accommodate the story has been handed down, such as <The Story of 玉小仙> in the form of a manuscript ancient novel and storytelling. However, <錦上添花> is even while taking the theme of the basic mechanism of the story that has been extended description, is showing a major difference a group of <The Story of 玉小仙> of existing. This can be <錦上添花> which are distinguished also that oil painting of the 1930s is simply recorded a relatively short form of Yadam <The Story of 玉小仙> features and unique . Shortly <錦上添花> is to borrow the theme of which is enjoyed widely in the form of ancient novel and storytelling of Yadam <The Story of 玉小仙> spectacular, but it has been named so-called domestic fiction world new novel it can be a work to reflect the typical pixel of the work, has made ​​significant deformation. In this context, it is possible to see in a production which appeared new at this time is bound in the form of a compounding of some sort. On the other hand, <斷髮嶺> is based on the due diligence of the early. 17th century notable in that it shows that the transition of the so-called “眞假爭主談” have been selected in the sanction of literary figuration over that can be seen as a pioneering figure. To ensure that it has directly affected is difficult, and motifs sanctions so that to ensure a work group which is reproduced in a variety of ways and modern premodern by <斷髮嶺> is added here. There is a need for discussion of literary history implications of “眞假爭主談”, transformation handed down through a serial story is made. This point <錦上添花> does not change greatly. Printed novels in 1910, work that can be classified as epic of love marriage fence system of the parasite, was a compounding <The Story of 一朶紅>, <梨花夢> and <天然停>. And it can be viewed as inspired by ancient novel, such as <玉丹春傳> and <春香傳> is far motif of this work, also magnificent of this series, as well as <斷髮嶺> I think there is a need to be considered together in terms of the formation of lineage and substation phenomenon and modern acceptance of a transition. If you try to synthesize the above facts, had been known for, such as new district and novels, as a result the origin of the work that has been deemed to have been entered at this time, has been created anew I see that there is a need to deploy continuously work to confirm the source vindicatory. In addition, I suspect for the genesis of print books novels of early modern, and whether there will be that its influence on the formation of the modern novel and self-renewal process of legacy scrivener through more rigorous consideration is illuminated anew.