한인제재 시가에 나타난 한국(인) 상상

Abstract

This paper examines the perception of Chinese intellectuals of Korea at the time by focusing on the poems of anti-imperialist, Sinocentrism, and internationalism among Korean-made works created by Chinese writers. In particular, this study analyzes not only the works of mainstream writers such as 郭末若, 艾青, and 楊靖宇, but also the works of nonmainstream writers such as anonymous artists and pseudonym artists. Most of the works of Korean sanctions citing anti-imperialist perspectives are criticisms of Japanese invasion and actively support the independence of small countries. In addition, there is a strong antipathy toward Japanese imperialism, praise of Korean patriotism, and awareness of the Chinese people as a frontal teacher. Second, most of the cigars, which reflect Sinocentrism, recognize the relationship between Korea and China as one-sided. These works mourn Korean ‘mangukgu’ on the surface, but on the inside, Korea is expressed in terms of the existing mainstream relation and frame by using expressions such as ‘child of the reporter’ and ‘boy of China’. There is a limit that cannot escape. Finally, there are many Korean sanctioned cigars that reflect internationalism. Most of them call upon the Japanese colonialism through cooperation and solidarity between the two countries, and ultimately desire the independence of the two countries. In particular, it honors and comforts the patriotic spirit and the achievements of the youth of the Independent Federation of Korea, the Joseon Medical University, and insists on the formation of a stronger solidarity of solidarity between the national and party factions.