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오카쿠라 덴신(岡倉天心)의 일본미술 발견과 야나기 무네요시(柳宗悅)의 공예를 둘러싼 근대의식

And discover Japanese art of Okakura Tensin, Surrounding the modern consciousness Yanagi Muneyoshi of craft

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The terms and concepts of Japanese art was established since when it? It is the idea of ​​art as the creation of high-level since the mid-17th century in the West that accompanied the establishment of the Academy of painting, sculpture began to be recognized in Japan since the mid-19th century, the Meiji Restoration is generally. The Meiji government was focused on the acceptance of Western culture, as part of the cultural and arts policy focused on Western art. Okakura Japanese art finds god and folk crafts Yanagi Muneyoshi surrounding the modern problem of consciousness was investigated. OkaKura The results reported in Japan as a representative of the glorious civilization of the East through the methods and perspectives of Western art history, techniques borrowed representation. It was the background called Japonism, handicrafts exports as an economic strategy, towards western Japan established itself as the art was obtained. Its purpose was to uplift the consciousness of the nation in Japan, and then sold to the construction of the modern state through the emergence of Japanese art. On the other hand it is something in the religious sense and sense things are beautiful Yanagi found aesthetic value in the ordinary household goods, crafts, and further, the sense put the correct concept of social. It is not simply limited to the realm of things but the combination of beauty and participation in the life and issues related to the economy and ideology. Yanagi is the notion that art was discovered through the western humanistic literary revival and has questions about the craft that had flourished prior to the collapse of the art and its place. It was lost due to the advent of modern capitalism not simply not limited to the problem of human nature and the nature of the recovery movement, who was conscious of these problems for modernity Yanagi Crafts movement. The Yanagi criticizes the spirit the Okakura tensin of God concept art and shows a significant difference. Okakura of craft as art in Japan as an export industry by advancing to the Western art market of Western modernity in the country will participate. Yanagi if used with a critique of the concept of art in the West across the East and West as a universal concept transcends the notion of craft folk art. This is a major problem associated with the modern self is formed around the two intellectuals in the Meiji era, arts and crafts unfold. Yanagi is a product of the social philosophy and has the right craft. Means beauty and craft of pushing social. It Kropotkin's Mutual Aid psychiatric social study, Morris and Ruskin, prayer points that are common to Yanagi. Yanagi's interest and timeless than a limited area of Japan had been limited to the value of human problems and it was found in the universal truth that transcends the eastern and western folk craft rather than a matter of state power and to build the movement, the social life and the beauty ideal and the correct associated. Gesture of Yanagi was extremely modern quest for universality.

Abstract

The terms and concepts of Japanese art was established since when it? It is the idea of ​​art as the creation of high-level since the mid-17th century in the West that accompanied the establishment of the Academy of painting, sculpture began to be recognized in Japan since the mid-19th century, the Meiji Restoration is generally. The Meiji government was focused on the acceptance of Western culture, as part of the cultural and arts policy focused on Western art. Okakura Japanese art finds god and folk crafts Yanagi Muneyoshi surrounding the modern problem of consciousness was investigated. OkaKura The results reported in Japan as a representative of the glorious civilization of the East through the methods and perspectives of Western art history, techniques borrowed representation. It was the background called Japonism, handicrafts exports as an economic strategy, towards western Japan established itself as the art was obtained. Its purpose was to uplift the consciousness of the nation in Japan, and then sold to the construction of the modern state through the emergence of Japanese art. On the other hand it is something in the religious sense and sense things are beautiful Yanagi found aesthetic value in the ordinary household goods, crafts, and further, the sense put the correct concept of social. It is not simply limited to the realm of things but the combination of beauty and participation in the life and issues related to the economy and ideology. Yanagi is the notion that art was discovered through the western humanistic literary revival and has questions about the craft that had flourished prior to the collapse of the art and its place. It was lost due to the advent of modern capitalism not simply not limited to the problem of human nature and the nature of the recovery movement, who was conscious of these problems for modernity Yanagi Crafts movement. The Yanagi criticizes the spirit the Okakura tensin of God concept art and shows a significant difference. Okakura of craft as art in Japan as an export industry by advancing to the Western art market of Western modernity in the country will participate. Yanagi if used with a critique of the concept of art in the West across the East and West as a universal concept transcends the notion of craft folk art. This is a major problem associated with the modern self is formed around the two intellectuals in the Meiji era, arts and crafts unfold. Yanagi is a product of the social philosophy and has the right craft. Means beauty and craft of pushing social. It Kropotkin's Mutual Aid psychiatric social study, Morris and Ruskin, prayer points that are common to Yanagi. Yanagi's interest and timeless than a limited area of Japan had been limited to the value of human problems and it was found in the universal truth that transcends the eastern and western folk craft rather than a matter of state power and to build the movement, the social life and the beauty ideal and the correct associated. Gesture of Yanagi was extremely modern quest for universality.

참고문헌 (12)

  1. 사토 도신, "일본미술이라는 제도, In 근대일본의 문화사3:1870~1910년대 1 · 근대 지(知)의 성립", pp.80~ (2011), 소명출판
  2. 야나기 무네요시, "공예문화", pp.81~ (1999), 신구
  3. 야나기 무네요시, "미술과 공예, In 공예의 길", pp.273~ (2001), 신구
  4. 동아시아인의 ‘동양’인식, "동양의 이상, In 서남동양학술총서", pp.2010, 오카쿠라 덴신
  5. 이병진, "「3.11」동일본대지진과 柳宗悅의 民藝論― 사회개량·재건 사상으로서의 민예의 가능성 ―", 일본학보, (93), pp.167~178 (2012), 한국일본학회
  6. 岡倉天心, "日本美術史", pp.12~13 (2008), 平凡社ライブラリー
  7. 高階秀爾, "白樺』と近代美術, In 日本近代の美意識", pp.329~ (1986), 青土社
  8. 土田真紀, "さまよえる工藝〡柳宗悦と近代", pp.10~ (2007), 草風館
  9. 三村京子, "天国と地獄の結婚 ウィリアム·ブレイク, In 別冊太陽 柳宗悦の世界", pp.91~ (2006), 平凡社
  10. 柳宗悦, "欧米通信, In 柳宗悦全集著作編第五巻", pp.379~ (1981), 筑摩書房
  11. 柳宗悦, "今度の挿絵に就いて, In 柳宗悦全集著作編第一巻", pp.588~ (1981), 筑摩書房
  12. 山路勝彦, "拓殖博覧会と帝国版図内の諸人種", 社会学部紀要, (97), pp.26~ (2004)

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