사상으로서의 야나기 무네요시 읽기 -야나기 무네요시(柳宗悅)의 조선 예술론과 진정성-
Read Yanagi Muneyoshi as idea - The authenticity of Korean art theory Yanagi Muneyoshi -
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
Among Koreans look for a way of life not seen concrete style of the people ofKorea vivid Yanagi Muneyoshi(1889-1961, scholar and art critic folk). There is alsoa possibility that there was in Korea as aesthetic object rather than in Korea asthe others. Such a question is amplified through the depiction of the landscape tothe rhythm of his exquisite sensibility among Korean travel Yanagi. This paper isto try to clarify by examining the flow of the history of his thought centered onthe school birch the problem of sensitivity of willow that is formed in the yearsaround 1919 such problems. Japan while toward imperialism in explicit 1910s as if Japan’s annexation of theKorean Peninsula, age seem to democracy and humanism if they were thriving, KojinKaratani on the other hand is in Japan ambiguity of the period ambiguity of willowthat is I pointed out to be related with. There is no longer be able to separate theattitude aesthetic of his morality willow did you request the release of the Koreanpeople for the ‘beauty’ after valley pattern, it is such deep If you do not have that‘beauty’ however I have rated, would have been no intervention. I think there aremany places like this change of evaluation of the willow suggests. Gaze of Yanagi’sthing to the interest to the people of Korea that was manufactured in Korea beauty,rather than as an aesthetic object. That is, the theory of art as a potential new KoreanYanagi as an assessment of the port orientalis. This paper is to examine aspectsof the theory of art-historical thought of Yanagi Muneyoshi Korea from such aposition.
Abstract
Among Koreans look for a way of life not seen concrete style of the people ofKorea vivid Yanagi Muneyoshi(1889-1961, scholar and art critic folk). There is alsoa possibility that there was in Korea as aesthetic object rather than in Korea asthe others. Such a question is amplified through the depiction of the landscape tothe rhythm of his exquisite sensibility among Korean travel Yanagi. This paper isto try to clarify by examining the flow of the history of his thought centered onthe school birch the problem of sensitivity of willow that is formed in the yearsaround 1919 such problems. Japan while toward imperialism in explicit 1910s as if Japan’s annexation of theKorean Peninsula, age seem to democracy and humanism if they were thriving, KojinKaratani on the other hand is in Japan ambiguity of the period ambiguity of willowthat is I pointed out to be related with. There is no longer be able to separate theattitude aesthetic of his morality willow did you request the release of the Koreanpeople for the ‘beauty’ after valley pattern, it is such deep If you do not have that‘beauty’ however I have rated, would have been no intervention. I think there aremany places like this change of evaluation of the willow suggests. Gaze of Yanagi’sthing to the interest to the people of Korea that was manufactured in Korea beauty,rather than as an aesthetic object. That is, the theory of art as a potential new KoreanYanagi as an assessment of the port orientalis. This paper is to examine aspectsof the theory of art-historical thought of Yanagi Muneyoshi Korea from such aposition.
참고문헌 (21)
- 가라타니 고진, "미학의 효용-오리엔탈리즘 이후, In 네이션과 미학", pp.172~ (2009), 도서출판b
- 가토리에, "야나기 무네요시와 한국", pp.180~192 (2012), 소명출판
- 鈴木登美, "이야기된 자기-일본 근대성의 형성과 사소설담론", pp.102~ (2004), 생각의 나무
- 정희균, "인간 부흥의 공예", pp.83~85 (2002), 학고재
- 이병진, "文化로써의 시라카바(？？白樺？？)派 담론 空間", 일본언어문화, (10), pp.273~293 (2007), 한국일본언어문화학회
- 유홍준, "토함산 석불사(중) 석굴의 신비에 도전한 사람들, In 나의 문화유산 답사기2", pp.186~189 (1995), 창작과 비평사
- 야나기 무네요시, "조선인을 생각한다, In 조선과 그 예술", pp.23~ (2006), 신구
- 伊藤徹, "柳宗悦 手としての人間", pp.41~42 (2003), 平凡社
- 小熊英二, "日本人の境界", pp.416~ (2005), 新曜社
- 柄谷行人, "美学の効用-オリエンタリズム以後, In 批評空間", pp.52~ (1997), 太田出版
- 姜尙中, "オリエンタリズムの彼方へ", pp.102~ (1996), 岩波書店
- 高階秀爾, "『白樺』と近代, In 日本近代の美意識", pp.329~ (1986), 青土社
- 鶴見俊輔, "解説 失なわれた転機, In 柳宗悦全集⋅第六巻", pp.680~ (1981), 筑摩書房
- 鶴見俊輔, "日本の観念論ー白樺派ー, In 現代日本の思想", pp.3~ (2005), 岩波新書
- 中村光夫, "日本の近代小説", pp.144~ (1991), 岩波新書
- 蓮実重彦, "大正的言説と批評, In 近代日本の批評ー明治⋅大正編", pp.131~ (1992), 福武書店
- 武者小路実篤, "大東亞戰爭, In 武者小路実篤全集⋅第15巻", pp.376~ (1990), 小学館
- 武者小路実篤, "自己の為の芸術, In 武者小路実篤全集⋅第一巻", pp.400~ (1987), 小学館
- 柳宗悦, "編輯余録", 白樺, pp.90~ (1922)
- 柳宗悦, "白樺と工芸, In 柳宗悦全集⋅第九巻", pp.183~ (1980), 筑摩書房
- 山田昭夫, "有島武郎｢宣言一つ｣, In 鑑賞日本現代文学⓾有島武郎", pp.225~ (1990), 角川書店