고소설 <장화홍련전> 원형서사의 서사적 고정관념과 영화 <장화, 홍련>의 새로쓰기 서사전략

Abstract

Archetypal narrative of <Janghwahonginryeoncheon> is exceptional not universal in in stepmother narrative’s diachronic history. Stepmother narrative fashioned in <Janghwahonginryeoncheon> is special , because it emerged since 17th. But it also recognized probabilities conventionally that still happen to appear. although archetype stepmother narrative fashioned in <Janghwahonginryeoncheon> doesn’t have a good understanding with present korean’s conscious direction, it is still maintained as traditional and conventional narrative. Right here is necessity that have to dismantle narrative stereotype <Janghwahonginryeoncheon> and rewrite according to present korean’s conscious direction. It is the creative purpose of <Janghwahonginryeoncheon>. For this, narrative strategy that writer Kimji hoon of <Janghwa, Hongryeon> fullfills is what deconstruct in order and rewrite it after hides archetypal narrative of <Janghwahonginryeoncheon> in <Janghwa, Hongryeon>. Concrete means of description that writer Kim ji hoon choosed for creating <Janghwa, Hongryeon> is two. The one is narrative of frame, and the other is mixing continuity that mixes conventional archetypal narrative and recreated narrative. Both ways, narrative stereotype that conventional archetypal narrative of <Janghwahonginryeoncheon> aims at is in relation of cooperation narratively with narrative ideology that accords with thematic consciousness of <Janghwahonginryeoncheon>, not existing independently. This narrative colaboration is way that can embody and show clearly ideological direction of <Janghwa, Hongryeon>. What writer Kimji hoon of <Janghwa, Hongryeon> attended to say through this overturn of <Janghwahonginryeoncheon> is that <Janghwahonginryeon- cheon> is right narrative stereotype which transubstantiate ordinary minor conflicts to wake of the tragic catastrophe by blocking and disconnecting fundamentally search and communication for mutual understanding in redefining process of order caused by inflow of stepmother and this narrative stereotype has to disconstruct and rewrite for establishment of desirable relationship of modern remarried family.