人麻呂の挽歌における「鹿」と「鶉」

Abstract

I would like to explore the mental landscape of special poetic sentiment of the writer indicated by these words. Hitomaro “Iwahifusu” is creeping ritual song represented with an animal subject with “deer” and “quail”. In which I give the title song of contrasting clause paired, And discussion meaning in poetry and song of the clause that appears in the expression clause creeping ritual so-called, in Manyo song. I thought must be presented as an integral material is coupled to the elucidation of the entity of Hitomaro song. In other words, Hitomaro is of being a guess song clause of the specific wording that meets the research the subject of poetic sentiment the author tried to draw precisely because if there is insight into the attitude and behavior of these animals were able to invent. Now, when you are trying to adopt effectively as a check of the song loyalty unmistakable against tycoon (or, Emperor), it is not presumed Total Eclipse Of advanced culture and the poet in is must to lurking in the song clause of them. So first, it is inevitably the attention that this “deer” is depicted as a symbol animals should be called only in the Hitomaro song. Can be mentioned of “HukurokuJu”, “Sansei diagrams” takes So, when I Locate the proper customs of ancient China with associated with “deer”, hermit has been deified. Anyway other, appearing in Kiki myth <insect crawling also serve the tycoon(or, Emperor)> that in order to take a contrasting meaning or "insect" and "animal" The meaning of submission auspicious is chained from the attribute meaning and likened it is to be inferred. Wishes of the three types is a strong demand in Taoism as one of the seven gods of good fortune that seems essential addition, (to be blessed with a child of the real, which led the blood) happiness, (that of property) Houroku, mere (longevity that thing in that embodies the triple-purpose of longevity) with health rather, it is intended to pursue fortune form of each animal is known to ask. In addition to this, will be given to the song word appearing in the “creeping ritual” and “quail”, the “quail” is described as an animal who brings a fantastic imagination is the mythology of China in the “Sengaikyou(Shān Hăi Jīng)” from the fact that, if you try to decipher the related article, from the image of the bird to symbolize fertility, and orientation striking fire, as a bird that indicates when as one of the four gods, southern magical so-called, Sinsen(Taoist hermit with miraculous powers) it is to be inferred that the shape which means flying a magical form is projected. Because is that the record of “had been prized as the elixir of longevity" some among other things, of ancient China to the “Materia Medica and facilities” is found, that this what was intended to be connected to important Auspicious more than anything argumentation is to be. Author spirit from the above considerations, tried transpired in primary Meaning indicating that “crawl”, “Contribute as Tribulation baby lying down” the attitude to be recalled from the habit in Hitomaro song with this “deer” and “quail” is suggesting. And if scratch the surface compared to pursue Symbolic nature of both animals in poetry traces of the song phrase which became the ground of poetry, has been combined the meanings shoulder originally the “good of luck” and “Auspicious” These animals I can be investigated. In other words, it is precisely these two animals were combines and behavior habit that "creeping andobedience" as a symbol of hope for a long life is found. Immediately, as the attitude of use who want to serve the nobility as if, and, Hitomaro was able as a symbol of "Auspicious" that shoulder superstitious, And understanding the meaning of the representation to be deified nobleman it. In conclusion, I was it is possible in the story of the poem there is a poetical idea to be recalled from the behavior of both animals poetic sentiment. I'll make as a work that has examined specific Hitomaro unique in the story of the poem material imperative the imagery of them it is to be inferred to have had.