무용영재 육성을 위한 교육기관 모형연구
A Study of the Model School for the Dance-gifted
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The education for the dance-gifted still has many problems such as providing equal opportunity for education (in terms of region and class), connection to college education, widening of the variety of major field, managing the network of the graduates after their graduation, and effective social utilization of the graduates’ creativeness. In order to address these problems, in addition to the improvement of existing schools, more researches and schools, which are based on more effective and systematic methods, are required. The desirable characteristics of the model school for promoting new talents and training them to be good dancers and artistic leaders are as follows. First, There are no designed year (grade) level divide in the school. The school has very flexible policies for its admitting students and running curriculum. Second, the curriculum is based on the philosophy that aims to realize “foundation-unification-experience.” That is, the school’s curriculum tries to provide its students with basic common background, unified artistic experience (of various artistic forms), and more expert experience systematically. Third, the school has a system in which research, teaching, and performance are combined. Therefore, it keeps its own research group as the “think tank,” a group of trainers as the “teaching pool,” and a management team for supporting performances. Finally, the school builds a system that renders the next generation artists to society. In order to do so, the school leads its students to further activities in the leading colleges, universities, performance groups, or other artistic organizations. The education for the dance-gifted is finding itself at a turning point when the world is rapidly changing in every aspect. My study on the model school for the dance-gifted youth can serve to innovate the present dance education.
Abstract
The education for the dance-gifted still has many problems such as providing equal opportunity for education (in terms of region and class), connection to college education, widening of the variety of major field, managing the network of the graduates after their graduation, and effective social utilization of the graduates’ creativeness. In order to address these problems, in addition to the improvement of existing schools, more researches and schools, which are based on more effective and systematic methods, are required. The desirable characteristics of the model school for promoting new talents and training them to be good dancers and artistic leaders are as follows. First, There are no designed year (grade) level divide in the school. The school has very flexible policies for its admitting students and running curriculum. Second, the curriculum is based on the philosophy that aims to realize “foundation-unification-experience.” That is, the school’s curriculum tries to provide its students with basic common background, unified artistic experience (of various artistic forms), and more expert experience systematically. Third, the school has a system in which research, teaching, and performance are combined. Therefore, it keeps its own research group as the “think tank,” a group of trainers as the “teaching pool,” and a management team for supporting performances. Finally, the school builds a system that renders the next generation artists to society. In order to do so, the school leads its students to further activities in the leading colleges, universities, performance groups, or other artistic organizations. The education for the dance-gifted is finding itself at a turning point when the world is rapidly changing in every aspect. My study on the model school for the dance-gifted youth can serve to innovate the present dance education.
참고문헌 (9)
- 김재은, "창의성과 무용교육-춤만들기(dance-making)의 교수-학습과정에서의 주도적 이미지(guided imagery)의 적용", 제15회 학술심포지엄 자료집 (2008), 한국무용교육학회
- 예술영재교육 발전방안 연구, "김춘미", 한국예술영재교육연구원, ~, pp.문화예술교육 05-08 (2006)
- 오레지나, "무용창의성의 본질에 대한 이론적․경험적 탐색", 박사, pp.2006
- 예술영재육성을 위한 교육기관 모형연구, "오레지나", 교육인적자원부, ~, pp.인적자원개발정책연구 2007-33 (2007)
- 오레지나, "무용영재교육과정의 탐색", 한국무용교육학회지, 19(1), pp.23~38 (2008), 한국무용교육학회
- "열혈학보" (2007), 오세준[URL]
- 예술영재교육대상자 선발모형 개발 연구(Ⅰ), "이미경", 한국예술영재교육연구원, ~, pp.문화예술교육 06-02 (2006)
- 예술영재교육과정 연구, "한수연", 한국예술영재교육연구원, ~, pp.예술영재교육연구 06-01 (2006)
- 예술영재교육인력 육성 방안 연구, "한수연", 한국예술영재교육연구원, ~, pp.문화예술교육 06-01 (2006)
