드미 플리에 지도법 및 그 효과에 관한 연구- 골반의 바른자세를 중심으로 -
Method of teaching demi-plié and research on effect of the method- Focusing on posture of the pelvis -
0
조회
0
다운로드
7
인용
0
참고문헌
키워드
초록
The purpose of this study is to suggest a method of teaching plié movement as bending a hip joint by using iliopsoas and to examine the effect of the method. Plié movement bends a hip joint by using iliopsoas, and there is no change in pelvis and upper body’s alignment from beginning to the end of the performance. The flexion of a knee joint and the dorsal flexion of an ankle joint are occurred by flexion of a hip joint. For this, bend hip joints like pulling and going down the pubic bones, not starting movement by bending the knee joint. By ten months test to students by this method of teaching, the conclusion inducted as follow. First, the students who experienced this method became to accept the plié movement itself in a comfortable manner and felt that the dance movements taking such plié as a preparational movement are carried out much easier. In addition, they also perceived that, with regard to body alignment, the pelvis and upper body are aligned correctly into a convenient position. The photo analysis results also show that the pelvis maintain an upright position before/after executing the movement thus tilting left/right or forward/backward reduced greatly; as a result, the upper body was also correctly aligned therefore the vertebra’s curvature, ribs and head being located more correctly. Second, the execution of ballet movements that take as a preparational activity became more seamless as a result of change in method of executing the plie movement. These movements are technical ones such as relevé, pirouette, jumps etc, that are mainly used in ballet; in particular, the students peceived that they were capable of maintaining their balance for a long time when performing relevé movements through modified plié.
Abstract
The purpose of this study is to suggest a method of teaching plié movement as bending a hip joint by using iliopsoas and to examine the effect of the method. Plié movement bends a hip joint by using iliopsoas, and there is no change in pelvis and upper body’s alignment from beginning to the end of the performance. The flexion of a knee joint and the dorsal flexion of an ankle joint are occurred by flexion of a hip joint. For this, bend hip joints like pulling and going down the pubic bones, not starting movement by bending the knee joint. By ten months test to students by this method of teaching, the conclusion inducted as follow. First, the students who experienced this method became to accept the plié movement itself in a comfortable manner and felt that the dance movements taking such plié as a preparational movement are carried out much easier. In addition, they also perceived that, with regard to body alignment, the pelvis and upper body are aligned correctly into a convenient position. The photo analysis results also show that the pelvis maintain an upright position before/after executing the movement thus tilting left/right or forward/backward reduced greatly; as a result, the upper body was also correctly aligned therefore the vertebra’s curvature, ribs and head being located more correctly. Second, the execution of ballet movements that take as a preparational activity became more seamless as a result of change in method of executing the plie movement. These movements are technical ones such as relevé, pirouette, jumps etc, that are mainly used in ballet; in particular, the students peceived that they were capable of maintaining their balance for a long time when performing relevé movements through modified plié.
참고문헌 (26)
- 강하나, "발레 동작의 운동학적 분석 : 파드샤(pas de chat)를 중심으로", 석사, 무용교육, pp.2007
- 김민희, "클라식 발레" (1993), 금광
- 김상연, "발레 클래스와 음악의 상호작용에 관한 연구 : Vaganova method를 중심으로", 석사, 반주학, pp.2005
- 金秀美, "舞踊療法에 根據한 Ballet Plie 動作 指導體系", 석사, 체육학, pp.1991
- 박금란, "Plié 동작의 수행 평가척도 개발과 규준지향검사", 박사, 체육과학, pp.2007
- 서수민, "발레의 Grand assemblé 동작의 운동학적 분석", 석사, 체육교육, pp.2003
- 서차영, "무용기능학" (1992), 금광
- 염광옥, "심상을 이용한 발레수업에 관한 연구", 석사, 무용교육, pp.2005
- 염창홍, "발레와 현대무용 전공 대학생의 5th Position Grand Plie 동작시 하지의 운동학적 비교분석", 대한무용학회 논문집, 35, pp.203~216 (2003), 대한무용학회
- 이소영, "여성 발레 무용수의 하지기능에 미치는 요인 분석", 박사, 운동처방, pp.2007
- 정희원, "장요근(Iliopsoas Muscle)(상)", 의림, 통권 : 280 (2001), 의림사
- Bond, M., "Balancing Your Body" (1993), Healing Arts Press
- Fitt, S.S., "Dance Kinesiology" (1988), Schirmer Books
- Franklin, E., "자세교정학" (2000), 금광
- Franklin, E., "테크닉과 공연을 위한 무용심상" (2000), 금광
- Hackey, P., "Making Connections" (2004), Routledge
- Jarmey, C., "The Concise Book Of The Moving Body" (2006), North Atlantic Books
- Kendall, F. P., "Outlines & Highlights for Muscles: Testing and Function, with Posture and Pain by Florence Peterson Kendall, Elizabeth Kendall McCreary, Patricia Geis" (2009), Academic Internet Publishers
- Lawson, J., "The Principles Of Classical Dance" (1979), A & C Black
- Preventing Dance Injuries: An Interdisciplinary Perspective, "Minton, S. C.", American Alliance for Health, Physical Education, Recreation and Dance, ~ (1990)
- Roach, F. R., "루이지의 재즈웜업" (2000), 도서출판 금광
- Ryan, Allan J., "Dance Medicine: A Comprehensive Guide" (1987), Pluribus Press
- Seig, K. W., "그림으로 보는 근골격 해부학" (1993), 대학서림
- Stone, R., "근골격계 아틀라스" (2003), 정담
- Sweigard, L.E., "Human Movement Potential: Its Ideokinetic Facilitation" (1974), Harper & Row Publishers
- Todd, M. E., "The Thinking Body" (1937), Prinston
