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무용의 표현 미디어 기능에서 몸의 의미

Meanings of body in the representation media function of dance

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초록

The results of this study that has explored the meanings of body in contem- porary dance which is the self(or thinking) representation media, are as follows. ◦ Dance as the media of contemporary thinking representation is accessible through the system, and this accessibility is interpreted not only as social requests for dance, but also as social function of dance. ◦ Dance, which is the individuals’ unique thinking representation media, is in social network that promotes the development of individuals’ creativity in the present progressive form at each different starting point, which is led to the devel- opment of collective creativity of each different individual. ◦ Dance as the media of contemporary thinking representation is accessible through the system, and this accessibility is not only social requests for dance, but also social function of dance. ◦ In dance which is the thinking representation media, body that is the subject and tool of movement is not the object of understanding, but the originality and individuality of individuals who are the subject of representation. ◦ The originality is nature of body represented through potential power (or dance creativity). ◦ The new interpretations of body in which the creativity is nature and the potential is an instinct are working as the opportunities to open the new present ongoing dance beyond genre dance. ◦ In the representation media dance, body is the substance of potential com- posed of physical appearance and creativity that creates spirit, mind, purpose, or ideal.

Abstract

The results of this study that has explored the meanings of body in contem- porary dance which is the self(or thinking) representation media, are as follows. ◦ Dance as the media of contemporary thinking representation is accessible through the system, and this accessibility is interpreted not only as social requests for dance, but also as social function of dance. ◦ Dance, which is the individuals’ unique thinking representation media, is in social network that promotes the development of individuals’ creativity in the present progressive form at each different starting point, which is led to the devel- opment of collective creativity of each different individual. ◦ Dance as the media of contemporary thinking representation is accessible through the system, and this accessibility is not only social requests for dance, but also social function of dance. ◦ In dance which is the thinking representation media, body that is the subject and tool of movement is not the object of understanding, but the originality and individuality of individuals who are the subject of representation. ◦ The originality is nature of body represented through potential power (or dance creativity). ◦ The new interpretations of body in which the creativity is nature and the potential is an instinct are working as the opportunities to open the new present ongoing dance beyond genre dance. ◦ In the representation media dance, body is the substance of potential com- posed of physical appearance and creativity that creates spirit, mind, purpose, or ideal.

참고문헌 (10)

  1. 김상환, "KIAS 고등과학원 초학제 연구 총서 동서문화와 창조 – 새로움이란 무엇인가?-" (2016), 이학사
  2. 김연희, "동서문화와 창조 – 새로움이란 무엇인가?-" (2016), 이학사
  3. 한혜리, "동시대 무용의 사상적 맥락과 사회관여성 연구", 한국무용교육학회지, 25(2), pp.59~72 (2017), 한국무용교육학회
  4. 한혜리, "무용의 접근성과 무용미디어와의 관계", 한국무용교육학회지, 25(2), pp.59~72 (2020), 한국무용교육학회
  5. 한혜리, "커뮤니티댄스의 집단성과 비경쟁적 구조의 상관성", 한국무용교육학회지, 25(2), pp.59~72 (2021), 한국무용교육학회
  6. 한혜리, "무용의 자기 성찰 기능과 구조", 한국무용교육학회지, 25(2), pp.59~72 (2022), 한국무용교육학회
  7. 한혜리, "무용에서 몸 인식과 자아 의식의 관계", 한국무용교육학회지, 25(2), pp.59~72 (2023), 한국무용교육학회
  8. Althusser, L., "루소 강의" (2015), 그린비 출판사
  9. Foucault, M., "헤테로토피아" (2023), 문학과 지성사
  10. Scruton, R., "인간의 본질" (2023), 이십일세기북스

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