춤추는 몸의 내재성과 초월성

Abstract

The purpose of this study was to classify the function of body in dance by immanence and transcendence to suggest the contemporary concept of ‘dancing body.’ The study discussed the movement of body in dance and the function of dancing body by the immanence and transcendence of body. In ‘dancing body,’ thinking perceives the movement of body and the body works to perceive the relationship between oneself and the world. The expansion of body is the expression of ego and dancing body expresses the ego within the relational order of oneself and the surroundings. Dancing body is not immanent in the body itself, but exists as an expanded sense outside itself. Dancing body thinks as the body and expresses the thinking by the expansion of body. The position of body that exists by the immanence appears as a movement. The symbol of ‘dancing body’ is the body whose thinking is not detached from its movement. Thinking is the immanence of ‘dancing body,’ while dancing body where thinking becomes the motivation of movement is the transcendence of body that exists outside the body through the expansion of senses.