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‘몸과 춤’에 대한 새로운 사유

New Thought about 'Body and Dance'

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초록

Nowadays spectacular dance as well as the dance where body is the subject of dance, appears important role in contemporary world of dance. The knowledge that a society requires, enables artists' methods and ideas to be realized. However it is more important for society to integrate and manipulate the knowledge and information. The union of dance with different genres, are caused by the artistic autonomy and societal multiplicity. Opening the dance to the artistic world is a result of post modern ideas beyond the closed modernism. The union of dance with different genres are the ideas appeared in the early 21st century. The styles of minimalism, multi media and digital technology purpose on de-center(freeing from center that is caused by freeing body) and allow various perspectives and the variety of dance-spectrums. A new thought about 'body and Dance' requires new paradigm of aesthetic reflection on dance according to the environment of dance society and multiplicity of dance media. In this study after considering changes of dance media and environment, instead of concept of body, bodily movement, body space, stage, body image, movement of body image, virtual body space and virtual cyber space are considered as the analytic object for this study. That is an analysis of material and media as an object of aesthetic analysis. In conclusion, dances created in 21st century enlarge its concepts of style, vision, sense, material, time, space and media. Furthermore it creates aesthetic value of dance under the enlargement of dance theme and body concepts. The study discussed the range and perception of virtual body concept. It also generally discussed the characteristics of virtuality and interactivity of visual multi-media for the communication between producer and audience. However there requires new reflection on body image. The phenomenon of superior values of technology, information, media and sense than human inner subjectivity and instinct of imitative expression must be considered and solved for dance world of next generations.

Abstract

Nowadays spectacular dance as well as the dance where body is the subject of dance, appears important role in contemporary world of dance. The knowledge that a society requires, enables artists' methods and ideas to be realized. However it is more important for society to integrate and manipulate the knowledge and information. The union of dance with different genres, are caused by the artistic autonomy and societal multiplicity. Opening the dance to the artistic world is a result of post modern ideas beyond the closed modernism. The union of dance with different genres are the ideas appeared in the early 21st century. The styles of minimalism, multi media and digital technology purpose on de-center(freeing from center that is caused by freeing body) and allow various perspectives and the variety of dance-spectrums. A new thought about 'body and Dance' requires new paradigm of aesthetic reflection on dance according to the environment of dance society and multiplicity of dance media. In this study after considering changes of dance media and environment, instead of concept of body, bodily movement, body space, stage, body image, movement of body image, virtual body space and virtual cyber space are considered as the analytic object for this study. That is an analysis of material and media as an object of aesthetic analysis. In conclusion, dances created in 21st century enlarge its concepts of style, vision, sense, material, time, space and media. Furthermore it creates aesthetic value of dance under the enlargement of dance theme and body concepts. The study discussed the range and perception of virtual body concept. It also generally discussed the characteristics of virtuality and interactivity of visual multi-media for the communication between producer and audience. However there requires new reflection on body image. The phenomenon of superior values of technology, information, media and sense than human inner subjectivity and instinct of imitative expression must be considered and solved for dance world of next generations.

참고문헌 (8)

  1. 김남식, "21세기 현대춤을 읽다" (2007), 한국학술정보(주)
  2. 김용진, "디지털 테크놀로지 환경에서의 신체성 연구", 석사, pp.2007
  3. 김채현, "무용예술의 21세기 정보와 춤의 가능성", 2008대학무용제 제10회 학술심포지엄 (2008)
  4. 김현옥, "머스 커닝햄의 안무 “바이패드”에 관한 연구", 대한무용학회논문집, (59) (2009)
  5. 샐리 베인즈, "포스트모던댄스" (1991), 삼신각
  6. 심혜련, "예술과 매체. 뫼비우스의 띠. 철학, 예술을 읽다󰡕. 철학아카데미" (2006), 동녘
  7. 장정윤, "무용하는 신체에 관한 현상학적 연구", 박사, pp.2005
  8. 장정윤, "현대무용의 신체활용과 현상학적 의의", 대한무용학회논문집, (42) (2005)

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