음악창의성 연구동향에 관한 메타분석
Meta-analysis of music creativity research
1
조회
0
다운로드
9
인용
0
참고문헌
키워드
초록
본 연구는 연구 동향에 나타난 음악창의성의 특성을 살펴보기 위한 목적으로 수행되었다. 연구 방법은 메타분석의 방법을 사용하였으며, 연구 대상으로는 2001년부터 2017년까지 국제전문학술지에 수록된 음악창의성논문 115편을 선정하였다. 일반창의성 연구에서 사용되어 온 창의성의 수준 및 범주, 협력적 창의성 여부의항목을 비롯하여 음악교과의 특성을 반영한 음악활동 영역, 활용 매체의 다섯 가지 범주에서 분석한 결과는 다음과 같았다. 첫째, 음악창의성 연구에서 다루는 창의성의 수준은 전문적 창의성이 과반수인 51.3%를 차지하여 가장 높게 나타났고, 다음으로 작은 창의성이 29.6%를 차지하는 것으로 밝혀졌다. 둘째, 창의성의 범주는창의적 사고과정에 관한 연구가 36.5%로 가장 높게 나타났으며, 두 가지 이상의 범주를 다룬 복합 범주에 관한 연구도 28.7%로 나타났다. 셋째, 음악창의성 연구에서 나타난 음악활동은 작곡 47.0%와 즉흥연주15.7%이었으며, 작곡이나 즉흥연주를 포함한 통합 활동도 27.8%를 차지하여 음악 창작 활동에 높은 편중을보였다. 넷째, 활용 매체는 악기를 비롯한 전통적 매체가 46.1%로 밝혀졌다. 디지털 매체도 22.6%를 차지하였으며, 전통적 매체와 디지털 매체를 복합적으로 활용한 연구가 23.5%로 나타난 것으로 볼 때 전반적으로상당한 비율로 활용됨을 알 수 있었다. 다섯째, 분석 대상 연구의 55.7%에서 협력적 창의성을 다루고 있어개인적 창의성보다 높은 비율로 다루어진 것을 알 수 있었다.
Abstract
The purpose of this study was to investigate trends in music creativity research. The meta analysis results of 115 studies published in international journals from 2001 to 2017 for topics such as the level of creativity, category of creativity, areas of music activity, applied media, and cooperative creativity were as follows: first, regarding the level of creativity, 51.3% of the studies focused on Pro-c and 29.6% centered on little-c; second, 36.5% of the studies addressed the creative thinking process, whereas the composite category which covered more than two categories accounted for 28.7%; third, much of the music creativity research focused on music creation, with music activities in the studies consisting of composition (47.0%), improvisation (15.7%), and the category of integrated activities (27.8%) also including composition or improvisation; fourth, traditional media, including musical instruments, accounted for 46.1%, digital media accounted for 22.6%, and the combination of traditional and digital media accounted for 23.5%; fifth, 55.7% of research studies dealt with cooperative creativity.
참고문헌 (42)
- 이종승, "교육 심리 사회 연구방법론" (2009), 교육과학사
- 정진원, "음악적 창의성: 활동유형별 특성 및 사고과정을 통한 재조명", 예술교육연구, 8(3), pp.77~94 (2010), 한국예술교육학회
- 조연순, "국내 창의성 교육 연구 동향분석: 창의성의 범주 및 수준을 중심으로", 영재교육연구, 22(2), pp.333~352 (2012), 한국영재학회[DOI]
- 최은식, "음악창의성 연구 동향 고찰: 연구 방법 및 연구 영역을 중심으로", 교과교육학연구, 21(4), pp.459~469 (2017), 교과교육연구소[DOI]
- 최은식, "음악교육에서의 테크놀로지 활용의 역사적 고찰: MEJ에 나타난 문헌자료를 중심으로", 음악교육공학, (20), pp.17~38 (2014), 한국음악교육공학회
- Abramo, J., ""Pedagogical creativity"as a framework for music teacher education", Journal of Music Teacher Education, 25(1), pp.37~51 (2015)
- Amabile, T., "Social psychology of creativity : A consensual assessment technique", Journal of Personality and Social Psychology, 43(5), pp.997~1013 (1982)
- Barrett, M., "Provoking the muse : A case study of teaching and learning in music composition", Psychology of Music, 35(2), pp.213~229 (2007)
- Burnard, P., "Reframing creativity and technology: promoting pedagogic change in music education", Journal of Music, Technology & Education, 1(1), pp.37~55 (2007)
- Burnard, P., "Problem-solving and creativity : Insights from students'individual composing pathways", International Journal of Music Education, 22(1), pp.59~76 (2004)
- Clarke, E., "Creativity in performance", Musicae Scientiae, 9(1), pp.157~182 (2005)
- Ferrari, L., "A new way to play music together : The Continuator in the classroom", International Journal of Music Education, 32(2), pp.171~184 (2014)
- Folkstead, G., "A meta-analytic approach to qualitative studies in music education: A new model applied to creativity and composition", Bulletin of the Council for Research in Music Education, 161, pp.162 (2004), 83~90
- Hargreaves, D., "Musical imagination : Perception and production, beauty and creativity", Psychology of Music, 40(5), pp.539~557 (2012)
- Hickey, M., "Can improvisation be ʻtaughtʼ? : A call for free improvisation in our schools", International Journal of Music Education, 27(4), pp.285~299 (2009)
- Hickey, M., "An application of Amabile's Consensual Assessment Technique for rating the creativity of children's musical compositions", Journal of Research in Music Education, 49(3), pp.234~244 (2001)
- Humphreys, J., "Toward a reconstruction of ʻcreativityʼ in music education", British Journal of Music Education, 23, pp.351~361 (2006)
- Kaufman, C., "Creativity 101" (2016), Springer Publishing Company
- Kaufman, C., "Identifying and assessing creativity as a component of giftedness", Journal of Psychoeducational Assessment, 30(1), pp.60~73 (2012)
- Kaufman, C., "Beyond big and little : The four c model of creativity", Review of General Psychology, 13(1), pp.1~12 (2009)
- Kokotsaki, D., "Pre-service student-teachersʼ conceptions of creativity in the primary music classroom", Research Studies in Music Education, 34(2), pp.129~156 (2012)
- Kozbelt, A., "A quantitative analysis of Beethoven as self-critic : Implications for psychological theories of musical creativity", Psychology of Music, 35(1), pp.144~168 (2007)
- Kratus, J., "A time analysis of the compositional pro-cesses used by children ages 7 to 11", Journal of Research in Music Education, 37(1), pp.5~20 (1989)
- Kratus, J., "A developmental approach to teaching music improvisation", International Journal of Music Education, 26, pp.27~38 (1996)
- MacDonald, R., "Creativity and flow in musical composition: An empirical investigation", Psychology of Music, 34(3), pp.292~306 (2006)
- MacDonald, R., "Musical identities of professional jazz musicians: A focus group investigation", Psychology of Music, 33(4), pp.395~417 (2005)
- Mellor, L., "Computer-based composition in the primary school : An investigation of children's"creative"responses using the CD Rom Dance eJay", Musicae Scientiae, 11(1), pp.61~88 (2007)
- Odena, O., "Towards an understanding of creativity in music education : A qualitative exploration of data from English secondary schools", Bulletin of the Council for Research in Music Education, 163, pp.9~18 (2005)
- Plucker, J., "Why isn't creativity more important to educational psychologists? Potentials, pitfalls, and future directions in creativity research", Educational Psychologist, 39(2), pp.83~96 (2004)
- Priest, T., "The reliability of three groups of judges' assessments of creativity under three conditions", Bulletin of the Council for Research in Music Education, 167, pp.47~60 (2006)
- Rhodes, M., "An analysis of creativity", The Phi Delta Kappan, 42(7), pp.305~310 (1961)
- Richardson, C. P., "Creativity research in music education : A review", Bulletin of the Council for Research in Music Education, 74, pp.1~21 (1983)
- Running, D., "Creativity research in music education A Review (1980-2005)", Update:Applications of Research in Music Education, 27(1), pp.41~48 (2008)
- Sawyer, R., "창의성과 발달" (2012), 학지사
- Sawyer, R., "Group creativity : Musical performance and collaboration", Psychology of Music, 34(2), pp.148~165 (2006)
- Sternberg, R., "창의성-그 잠재력의 실현을 위하여" (2009), 학지사
- Swanwick, K., "The sequence of musical development : A study of childrenʼs musical composition", British Journal of Music Education, 3, pp.305~339 (1986)
- Veloso, A., "Composing music, developing dialogues : An enactive perspective on childrenʼs collaborative creativity", British Journal of Music Education, 34(3), pp.259~276 (2017)
- Wallas, G., "The art of thought" (1926), J. Cape
- Ward-Steinman, P., "Vocal improvisation and creative thinking by Australian and American university jazz singers-A factor analytic study", Journal of Research in Music Education, 56(1), pp.5~17 (2008)
- Webster, P., "Measure of creative thinking in music (MCTM): Administrative guidelines" (1994), Northwestern University
- Webster, P., "Creativity and music education", pp.16~33 (2002), Britannia Printers
