이명세 감독 시적 연출 연구: 단편영화 <그대 없이는 못 살아> 중심으로

Abstract

The purpose of this study is to practically study the poetic direction of the film through analysis of poetic direction, focusing on director Lee Myung-se's short film "I Can't Live Without You (2017)". The research method is to analyze the poetic production of narrative, genre, mise-en-scène, and ed- iting, focusing on director Lee Myung-se's poetic directing short film <I Can't Live Without You> (2017) to know how director Lee Myung-se poetically direct the film. The purpose of this paper was to study how to direct, expand, and create a multi-layered film. By looking at the language of poetry and the language of film along the same line, the words of poetry, the short images of film, the liter- ary nature of poetry, and the visuality of film can be viewed from a cinematic perspective. It was in- tended to be analyzed in. In poetic films, rather than narrating, it can be said that fragmented, cracked, and implicit images are compressed, leaped, juxtaposed, and poetically directed through metaphors to create polysemic interpretations and produce visual lyricism. From this perspective, we looked for differences in director Lee Myung-se's short film <I Can't Live Without You> from the gen- eral narrative-centered production and analyzed specifically how he attempted to create a poetic production of narrative, genre, mise-en-scène, and editing. Through an analysis of the poetic essence of director Lee Myung-se's short film "I Can't Live Without You", director Lee Myung-se focuses on the compression, poetic leap, juxtaposition, and metaphor of fragmented, cracked, and implicit im- ages rather than focusing on a causal narrative in narrative, genre, mise-en-scène, and editing. It was found that visual lyricism was created by creating poetic expressions and polysemous interpretations.