의암별제 제례악의 형성 방법 연구

Abstract

The Uiambyeolje, a ritual for the righteous gisaeng Nongae, is a Confucian ritual with various meanings that was established during King Gojong's reign of the Joseon dynasty. Uiambyeolje is special because it was the only rite for women and by women in Joseon, a male-dominated society. Especially, Uiambyeolje Ritual Music is seen as dignified even in provincial rites. Because it has all three elements of ritual music, which are music, song, and dance, and its musical band is composed of a court band (堂上樂) and a yard band (堂下樂), so it can be classified as middle class rites (中祀) from a musical perspective. Also it’s especially meaningful for being the only ancestral rite made in the Joseon dynasty using gagok (歌曲) as the main ritual music and using Korean for the lyrics (樂章歌詞). In this study, to understand the reason why gagok (歌曲) was used as the main ritual music from a musical perspective. The formation method of the Joseon dynasty’s ritual music was analyzed. Such as Jongmyojeryeak (宗廟祭禮樂), the music used in the Munseonwangje of the local Confucianism, other national ritual music and seowons (書院). There are three formation methods to create the ritual music of the Joseon dynasty. Firstly, using music that was mainly used by the leading class who tried to create ritual music at that time. Secondly, changing the lyrics of existing ritual music. Lastly, rearranging existing melodies and changing the lyrics according to the purpose of the ritual. As the result of analysis of various kinds of music used in the royal court and private sector in the 19th century linked with the music on Gyobang-gayo(敎坊歌謠) with these three methods basically, the ritual music of Uiambyeolje was formed by mixing of the first and second methods with Gagok as emerged as Geosangak(擧床樂) and dance accompaniment, and also enjoyed by gentries and gisaengs. The ritual music of Uiambyeolje was used gagok’s melody and changing lyrics to fit its purpose. In addition, the unknown music of Youngshinrei(迎神禮) could be assumed as a marching music(行樂) like Gil-kun-ak of Gwan-ak-Yeongsanhoesang(管樂靈山會想) by using of these formation methods.