아부 샤디(1892~1955) 작품의 주제 및 형식에 나타난 낭만성 연구
A Study on the Romantic Mood in the Motifs and Forms of Abu Shadi’s Poetry
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As a leading poet of Apollo Group and the founder of Apollo magazine,Ahmad Zaki Abu Shadi was regarded as the poet whose works were full of the romantic mood. In 1932, when developed the romantic trend in the group and the magazine founded by Abu Shadi, the neo-classicism was still strong across all over the Arab world. So I have some questions. Was he a real romantic? Did his works express the romantic motifs in new forms or in the classical form of Qasidah? Was he different from the Diwan Group Which introduced the romantic mood in the Arab world? And if he was so, how different? To respond to this questions,I analyzed four diwans of Abu Shadi: his first diwan of 1910, two diwans written after his emigration to America in 1946 and another one that contains selected poems and critics. The analysis shows that Abu Shadi expressed subjective romantic emotions in the theme and the motifs of 85% of the 268 poems contained in the four diwans. On the other hand, he experimented much less with new forms, like the stanza, the blank verse, his own free verse, the dramatic poem, the narrative poem or drama. Instead he used the Qasidah form in 85% of the 268 poems. So I conclude that he was not a fully romantic poet but a boundary poet between the neo-classicism and the romanticism in the Arab poetry.
Abstract
As a leading poet of Apollo Group and the founder of Apollo magazine,Ahmad Zaki Abu Shadi was regarded as the poet whose works were full of the romantic mood. In 1932, when developed the romantic trend in the group and the magazine founded by Abu Shadi, the neo-classicism was still strong across all over the Arab world. So I have some questions. Was he a real romantic? Did his works express the romantic motifs in new forms or in the classical form of Qasidah? Was he different from the Diwan Group Which introduced the romantic mood in the Arab world? And if he was so, how different? To respond to this questions,I analyzed four diwans of Abu Shadi: his first diwan of 1910, two diwans written after his emigration to America in 1946 and another one that contains selected poems and critics. The analysis shows that Abu Shadi expressed subjective romantic emotions in the theme and the motifs of 85% of the 268 poems contained in the four diwans. On the other hand, he experimented much less with new forms, like the stanza, the blank verse, his own free verse, the dramatic poem, the narrative poem or drama. Instead he used the Qasidah form in 85% of the 268 poems. So I conclude that he was not a fully romantic poet but a boundary poet between the neo-classicism and the romanticism in the Arab poetry.
참고문헌 (19)
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