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이브라힘 나지(,إبراهيم ناجي)의 신고정성과 낭만성 연구

A Study on the Neo-classicism and Romanticism of Ibrahim Nazi

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Ibrahim Naji is the most subjective poet of the Egyptian romantic poets. Practically the entire content of his verses concerns the poet’s personal experiences. That is to say, Naji’s almost poems are about the poet himself, his feelings and attitudes, and nearly all of it turns round the subject of love. Meanwhile there is remarkably no interest in wider issues, social or political in his works. So his occasion poems are not plenty to 12% extent of his all works. I made an analysis of all his poetical works and arrived at a conclusion as follows. First, thematically Ibrahim Naji composed the occasional poems of 12%, which express the respects and the condolences to the public figures. But in the 88% of his total poems he wrote about the nature, the feeling of banishment from his family and society, and love. Especially he indulged in love because the love was the medicine overcoming the limits of the nature and healing his banishment. Second, formally Ibrahim Naji used the Qasidah of 43%, the short poem of 40%, the strophic verse of 17%. So I reached the conclusion that he was the best romantic lyric poet of the Arab world, but he abided by the traditional poetic norms. Therefore, he was in the transitional conditions between the neo-classicism and the romanticism.

Abstract

Ibrahim Naji is the most subjective poet of the Egyptian romantic poets. Practically the entire content of his verses concerns the poet’s personal experiences. That is to say, Naji’s almost poems are about the poet himself, his feelings and attitudes, and nearly all of it turns round the subject of love. Meanwhile there is remarkably no interest in wider issues, social or political in his works. So his occasion poems are not plenty to 12% extent of his all works. I made an analysis of all his poetical works and arrived at a conclusion as follows. First, thematically Ibrahim Naji composed the occasional poems of 12%, which express the respects and the condolences to the public figures. But in the 88% of his total poems he wrote about the nature, the feeling of banishment from his family and society, and love. Especially he indulged in love because the love was the medicine overcoming the limits of the nature and healing his banishment. Second, formally Ibrahim Naji used the Qasidah of 43%, the short poem of 40%, the strophic verse of 17%. So I reached the conclusion that he was the best romantic lyric poet of the Arab world, but he abided by the traditional poetic norms. Therefore, he was in the transitional conditions between the neo-classicism and the romanticism.

참고문헌 (14)

  1. 임병필, "디완 시인 압드 알라흐만 슈크리의 시적 특성과 문학사적 위상", 외국문학연구, (35), pp.213~236 (2009), 외국문학연구소
  2. 임병필, "디완그룹의 모더니즘 연구 - 전통과 모더니티를 중심으로 -", 아랍어와 아랍문학, 14(1), pp.79~102 (2010), 한국아랍어아랍문학회
  3. 임병필, "아부 샤디(1892~1955) 작품의 주제 및 형식에 나타난 낭만성 연구", 지중해지역연구, 12(3), pp.73~97 (2010), 지중해지역원
  4. 장용석, "아폴로 그룹의 시 문학에 관한 연구 : 아부 샤디, 나기, 따하를 중심으로", 석사, pp.1991
  5. Badawi M. M., "A Critical introduction to modern Arabic poetry" (1975), Cambridge University
  6. Badawi M. M., "Modern Arabic Literature" (1992), Cambridge University Press
  7. Brugman J., "An introduction to the history of modern Arabic literature in Egypt" (1984), E. J. Brill
  8. Jayyusi S. K., "Trends and movements in modern Arabic poetry, vol. 2" (1977), E. J. Brill
  9. "شريف سعد الجيار، شعر إبراهيم ناجي دراسة أسلوبية بنائية، ٢٠٠٨ ، القاهرة: الهيئة", ~
  10. "المصرية العامة للكتاب", ~
  11. "طه وادي، شعر الناجي الموقف والأداة، ١٩٩٤ ، القاهرة: دار المعارف", ~
  12. "مجيد طراد، شرح ديوان إبراهيم ناج،ي بيروت: دار الفكر العربي", ~
  13. "محمد سعد فشوان، مدرسة أبول وُّ الشعرية في ضوء النقد الحديث، ١٩٨٢ ، القاهرة: دار المعارف", ~
  14. "شعر أبراهيم ناجي، الأعمال الكاملة، ١٩٦٤ ، دار الشروق", ~

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