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튀니지 아폴로 시인 아부 알까심 알샵비의 전통 고수와 서구 모더니티 수용 양상 연구 - 주제와 형식의 낭만성과 신고전성을 중심으로

The tradition and modernity of Tunisian poet Abu al-Qasim al-Sabbi’s works

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Abu al-Qasim al-Shabbi was the only western poet of the Apollo Group that practiced the Romanticism all around Arab world in 1930’s. He thought that the traditional Arabic literature, and furthermore the classicial Arabic culture was poor at the creative imagination. So he claimed to refuse the whole traditional Arabic culture and literature. And then he tried to write his poems with his personal subjective emotions. As a result, his almost all poems thematically were romantic,but formally the more than half of his all poems were written by Qasidah the traditional Arabic form. So we can say he was on the border between Neoclassicism and Romanticism and tradition and modernity as well. Above all, he used the Greek myths like the Venus and Prometheus,and also the myth of ‘the death and revival’, and that made a contribution to the Arabic free verse. That’s why the 1950’s free verse movement was headed by the Tammuzian poets who used the myths about the death and revival.

Abstract

Abu al-Qasim al-Shabbi was the only western poet of the Apollo Group that practiced the Romanticism all around Arab world in 1930’s. He thought that the traditional Arabic literature, and furthermore the classicial Arabic culture was poor at the creative imagination. So he claimed to refuse the whole traditional Arabic culture and literature. And then he tried to write his poems with his personal subjective emotions. As a result, his almost all poems thematically were romantic,but formally the more than half of his all poems were written by Qasidah the traditional Arabic form. So we can say he was on the border between Neoclassicism and Romanticism and tradition and modernity as well. Above all, he used the Greek myths like the Venus and Prometheus,and also the myth of ‘the death and revival’, and that made a contribution to the Arabic free verse. That’s why the 1950’s free verse movement was headed by the Tammuzian poets who used the myths about the death and revival.

참고문헌 (10)

  1. 김능우, "아랍시의 세계" (2004), 서울: 명지출판사
  2. 임병필, "이브라힘 나지(,إبراهيم ناجي)의 신고정성과 낭만성 연구", 아랍어와 아랍문학, 14(2), pp.75~98 (2010), 한국아랍어아랍문학회
  3. 장용석, "아폴로 그룹의 시 문학에 관한 연구: 아부 샤디, 나기,따하를 중심으로", 석사, pp.1991
  4. Paul Starkey, "Modern Arabic Literature" (2006), Washington:Georgetown University Press
  5. Badawi M. M, "A critical introduction to modern Arabic poetry" (1975), Cambridge: Cambridge University Press
  6. Badawi M. M, "Modern Arabic literature" (1992), Cambridge University Press
  7. Badawi M. M, "A short history of modern Arabic literature" (1993), Oxford: Clarendon Press
  8. Jayyusi S. K, "Trends and movements in modern Arabic poetry" (1977), Leiden: E. J. Brill
  9. Roger Allen, "Modern Arabic literature" (1987), New York: The Ungar Puublishing Company
  10. "إيليا الحاوي( ١٩٨٦ ). في النقد والأدب، الجزء الرابع، بيروت: دار الكتاب اللبناني", ~

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