‘민주화’의 역설과 노동시의 새로운 양상 - 민주화 이후 시대의 노동시와 한국 민주주의 -

Abstract

As realizing the 'democracy', the paradox of the time of 'democratization' caused big change to the worker poetry. Because of the reality, in which there is no difference between the ruler and the subjugated, between exploiting and being exploited, between the desire of the capitalist and the worker, and so on, it was required to adjust the status and the identity of the work, the worker, and the worker poetry. In the place, where last worker poetry disappeared, 'the worker poetry over the worker poetry' (Bak Mu-san) and 'the worker poetry, which isn't the worker poetry' (Kim Gi-taek, Lee Gi-in) appeared. Through the overall examination on the reality of capitalism and the 'working human', Bak Mu-san reconstructed the identity of 'working human' as the form of multiplicity ontologically. Because the poetry work of him mated the road of worker and the road of human, the worker poetry, which had been the part of small genre, were changed into universal poetry. Kim Gi-taek and Lee Gi-in, whose poetry could be included by 'the worker poetry, which isn't the worker poetry', made the new type of workers, which weren't existed before. 'A hard worked office workers' expressed by the poetry of Kim Gi-taek, spoke for the life of white-color worker, who became the subject of the outcome for ceaseless exploiting himself. 'An exploited girl factory worker, drawn by Lee Gi-in, is actual historical worker and the symbol of overall present workers. 'Immature and powerless femininity' expressed by her and uniform and fragmented 'signification of the singular' meant universal identification, which was made by the system of the capitalism for all workers. As seeing directly and proving twofold paradox of 'democratization', the worker poetry after democratization made a new way out. This work had something in common with the work finding the duplicity and the multiplicity of the capital, which caused the democratization of Korean society and (doesn't) enable(s) to do it.