극예술연구회 공연 체제의 변화와 제10회 정기공연 형식에 대한 일 고찰―제10회 정기공연에 이르는 도정에서 발현된 연극 콘텐츠의 형식 교류와 공연 체제 확산을 중심으로―

Abstract

There has been no precise discussion of the Performance system of the Gegyesuryeonguhoe. Since the Geugyesuryeonguhoe was an orthodox realism drama group, it also shares with the vague belief that the Geugyesuryeonguhoe adhered to a consistent way of performing for theatrical performances. However, the Geugyesuryeonguhoe was a theater company that experienced considerable confusion and various attempts in the actual performance process, and was an organization that tried to solve various dangers before being promoted to the theater group. Regular performances in the first period allowed the Gegyesuryeonguhoe to gain experience to escape these failures and dangers, and in 1935 the situation amplified the risk of censorship and exerted external pressure to devise ways to address it. The 10th regular performance was a performance where the Performance system, which was unintentionally tested since the 1st performance, was settled with a primary sense of stability. At the same time, the 10th regular performance corresponded to a certain formal achievement reached by the Geeugyesuryeonguhoe while interacting with the contemporary theater and cultural environment.