김규동 초기 시 연구—반복 기법과 미적 효과를 중심으로—

Abstract

This article was conducted with the purpose of reaching Kim Gyu-dong’s early poetic consciousness and poetic semantic network by focusing on the repetition technique in Kim Gyu-dong’s early poetry and examining its function and effect. This study attempted to categorize the repetition that appears in Kim Gyu-dong’s poetry into serial repetition, parallel repetition, and gradual repetition, and to understand what meaning and effect it creates in the poem. Chapter Ⅱ looked at the serial repetition of specific words. In Kim Kyu-dong’s early poetry, a helpless subject who perceives a bleak world frequently appears, and various repetitions and variations appear in the process. This is mainly related to the repetitive boredom of each day, the resulting despairing expressions, and the pain of the past. In particular, the serial repetition of words related to ‘time’ signifies a closed perception of time and painful memories and their reproduction. In Chapter Ⅲ, looked at the parallel repetition of specific words. In modern and post-war society, Kim Gyu-dong clearly captures unfamiliar and unpleasant sensations. He presents perceptions, sensations, and shocks about the world through parallel repetition. In particular, words related to ‘sound’ were placed in parallel in the poetic meaning that he senses, recognizes, or interprets with shock. These repetitions, which emphasize the anxiety and shock of the post-war world and the rejection of the modern world, simultaneously reveal the smallness and powerlessness of the subject. In Chapter Ⅳ, looked at the gradual repetition of specific final endings. Gradual repetition that deepens and emphasizes emotions based on deep longing for mother and hometown forms an aspect of early poetry. The main repetitions and variations occur in colloquial predicate endings. This vividly depicts the narrator’s voice expressing his son’s requests and concerns for his mother and goes towards heightening the emotion of longing.