세련된 이미지스트로서의 윌리엄스: 『브뢰겔의 그림들과 기타 시』를 중심으로
Williams as a Refined Imagist: Focusing on Pictures from Brueghel and Other Poems
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
William Carlos Williams in his last collected poems, Pictures From Brueghel and Other Poems(1962), presents a method of composition that adds a subjective comment or imagination to the realistic and accurate description of images. This prosodic pattern is in line with the outstanding works in the imagist selections of Des Imagistes(1914) and Some Imagist Poets(1915; 1916, 1917), and is one of the biggest legacies left to him by Imagism, which aimed at sculptural and impressionistic poetry. Unlike typical imagist poems, however, Williams formed his own rhythmic implementation with intonational phrases of American English in use, developed unique triads and triadic stanzas that reveal impressive scenes or meanings in his poems, and showed a very delicate artist's aspect that amplifies the meaning and effect of poetry through the inner combination of those triads. This is an achievement that Williams reached in his later years. Based on the analysis and discussion of this achievement, this study shows that he was a highly refined imagist poet who thoroughly followed the principles of imagism and built very pictorial and musical poems on them.
Abstract
William Carlos Williams in his last collected poems, Pictures From Brueghel and Other Poems(1962), presents a method of composition that adds a subjective comment or imagination to the realistic and accurate description of images. This prosodic pattern is in line with the outstanding works in the imagist selections of Des Imagistes(1914) and Some Imagist Poets(1915; 1916, 1917), and is one of the biggest legacies left to him by Imagism, which aimed at sculptural and impressionistic poetry. Unlike typical imagist poems, however, Williams formed his own rhythmic implementation with intonational phrases of American English in use, developed unique triads and triadic stanzas that reveal impressive scenes or meanings in his poems, and showed a very delicate artist's aspect that amplifies the meaning and effect of poetry through the inner combination of those triads. This is an achievement that Williams reached in his later years. Based on the analysis and discussion of this achievement, this study shows that he was a highly refined imagist poet who thoroughly followed the principles of imagism and built very pictorial and musical poems on them.
참고문헌 (18)
- 류기택, "윌리엄 칼로스 윌리엄스의 시적 상상력과 상대성 이론", 영어영문학연구, 41(1), pp.23~44 (2015), 대한영어영문학회[DOI]
- 심진호, "윌리엄 칼로스 윌리엄즈와 입체주의", 새한영어영문학, 49(3), pp.23~43 (2007), 새한영어영문학회[DOI]
- 오비디우스, "변신 이야기" (1995), 민음사
- 최용미, "봄과 모든 것 에 나타난 역설의 시학", 현대영미시연구, 11(1), pp.103~136 (2005), 한국현대영미시학회
- 파운드, 에즈라, "이미지스트(Des Imagistes)" (2013), 이담북스
- Auden, W. H., "Modern Poems", pp.282~ (1976), W.W.Norton & Company
- Dijkstra, Bram, "Cubism, Stieglitz, and the Early Poetry of William Carlos Williams" (1978), Princeton UP
- Gerber, Natalie, "Structural Surprise in the Triadic-Line Poems", William Carlos Williams Review, 27(2), pp.179~186 (2007), Texas Tech UP
- Halter, Peter, "The Revolution in the Visual Arts and the Poetry of William Carlos Williams" (1994), Cambridge UP
- Hulme, Thomas Ernest, "T. E. Hulme", pp.258~270 (1938), Fabor & Fabor
- Pound, Ezra, "Personae: The Collected Poems of Ezra Pound", pp.185~197 (1926), New Directions
- Thirlwall, John C., "Pictures from Brueghel and Other Poems", pp.183~184 (1962), New Directions
- Wagner, Linda Welshimer, "The Poems of William Carlos Williams" (1963), Wesleyan UP
- Williams, William Carlos, "Pictures from Brueghel and Other Poems" (1962), New Directions
- Williams, William Carlos, "The Collected Poems of William Carlos Williams. Vol. 2" (1991), New Directions
- Williams, William Carlos, "A Recognizable Image: William Carlos Williams on Art and Artists" (1978), New Directions
- Williams, William Carlos, "Selected Essays" (1969), New Directions
- Williams, William Carlos, "Interviews with Walter Sutton" (1960), U of Pennsylvania P
