모더니즘, 미국시, 이미지(즘), 도시 - 김기림 시론과 시학
Modernisms, American Poetry, Imagism, City: Kim Ki Rim’s Poetry and Poetics
0
조회
0
다운로드
3
인용
0
참고문헌
키워드
초록
As a comparative study of Anglo-American and Korean modernisms, this essay posits whether Kim Ki Rim's Koreanized appropriation of Anglo-American modernism is successful. Rather than seeing his poetry and poetics as coming purely from the tradition of British poetry, I argue that he is genuinely affected by American poems and poets. Discussing the poems of Ezra Pound, H. D., William Carlos Williams, E. E. Cummings, and Kim's translations and adaptations of them, I trace the impact of Anglo-American literary modernism on Korean and deal with their visual images and imagism. As in the Imagist appropriation of the Orient, Kim's appropriation of Anglo-American modernism, as an occidentalist, is an exploration of the exotic to flourish Korean national literature. For Kim, the picturality in a poem is quite important, and I try to seek the ties between poetry and picturality/paintings, borrowing the notions of Jacques Derrida and Charles Altieri. Actually, following the modernist rejection of Romantic and Victorian tradition, Kim accepts experimental poetics based on visual elements not on auditory. Even while he adopts “dry and hard” masculine modernism, he is lingering in the imaginary―more exactly urban imaginary―to sustain himself in the modern metropolitan city. A sentimental, lyric self in him brings about a perpetual “make it new” in Korean modernism.
Abstract
As a comparative study of Anglo-American and Korean modernisms, this essay posits whether Kim Ki Rim's Koreanized appropriation of Anglo-American modernism is successful. Rather than seeing his poetry and poetics as coming purely from the tradition of British poetry, I argue that he is genuinely affected by American poems and poets. Discussing the poems of Ezra Pound, H. D., William Carlos Williams, E. E. Cummings, and Kim's translations and adaptations of them, I trace the impact of Anglo-American literary modernism on Korean and deal with their visual images and imagism. As in the Imagist appropriation of the Orient, Kim's appropriation of Anglo-American modernism, as an occidentalist, is an exploration of the exotic to flourish Korean national literature. For Kim, the picturality in a poem is quite important, and I try to seek the ties between poetry and picturality/paintings, borrowing the notions of Jacques Derrida and Charles Altieri. Actually, following the modernist rejection of Romantic and Victorian tradition, Kim accepts experimental poetics based on visual elements not on auditory. Even while he adopts “dry and hard” masculine modernism, he is lingering in the imaginary―more exactly urban imaginary―to sustain himself in the modern metropolitan city. A sentimental, lyric self in him brings about a perpetual “make it new” in Korean modernism.
참고문헌 (18)
- 김기림, "김기림 전집 1 詩" (1988), 심설당
- 김기림, "김기림 전집 2 시론" (1988), 심설당
- 김기림, "김기림 전집 3 문학론" (1988), 심설당
- 김기림, "김기림 전집 4 문장론" (1988), 심설당
- 희곡, "김기림 전집 5 소설", pp.심설당, 수필
- 시론, "김기림 전집 6 문명비판", pp.김기림, 설문답
- 김우창, "지상의 척도" (2006), 민음사
- 이숭원, "김기림 시의 실상과 허상", pp.127~150 (1999), 새미
- 정진석, "언론과 한국현대사" (2001), 커뮤니케이션북스
- Altieri,Charles, "The Art of Twentieth-Century American Poetry" (2006), Blackwell
- Carpenter,Humphrey, "A Serious Character" (1988), Houghton Mifflin
- Cummings,E,E., "100 Selected Poems of e. e. cummings" (1954), Grove P
- Derrida,Jacques., "The Truth in Painting" (1987), The U of Chicago P
- Doolittle,Hilda.H.D., "Collected Poems 1912-1944" (1986), New Directions
- Huyssen, Andreas, "Modernist Miniatures: Literary Snapshots of Urban Spaces", 122(1), pp.27~42 (2007), PMLA
- Nelson,Cary, "Anthology of Modern American Poetry" (2000), Oxford UP
- Soja,Edward W., "Postmetropolis: Critical Studies of Cities and Regions" (2000), Blackwell
- Williams,Carlos William, "The Collected Poems of William Carlos Williams, Vol. 1: 1909-1939" (1991), New Directions