영화가 탈북자를 다루는 시선들
A Study on Attentions of North Korean Defector in Films
0
조회
0
다운로드
20
인용
0
참고문헌
키워드
초록
The purpose of this paper is to analyze South Korean films since 2000’s that have deal with North Korean defectors’ issue. To examine this, I will classify them as the following: South Korean popular films; South Korean independent films; and the films made by overseas Koreans or foreigners. First, South Korean popular films intend not so much to pay attention to realities of North Korean defectors and the tragic division of the Korean peninsula, as to be a box office success by showing those circumstances. Thus, those films don’t cover their painful resettlement process or the aspects of national division. However, low-budget independent films, though starring those who escaped North Korea, give more attention to a harsh capitalist society in South Korea,which results in their suffering. These movies describes their lives in South Korea. Zhang Lu, as a Chinese of Korean descent, describes North Korean defectors with patience in his films. He sticks to a warm point of view as if he represented his life as diaspora. On the other hand, A American director N.C. Heikin exposes cool-headedly human rights in North Korea.
Abstract
The purpose of this paper is to analyze South Korean films since 2000’s that have deal with North Korean defectors’ issue. To examine this, I will classify them as the following: South Korean popular films; South Korean independent films; and the films made by overseas Koreans or foreigners. First, South Korean popular films intend not so much to pay attention to realities of North Korean defectors and the tragic division of the Korean peninsula, as to be a box office success by showing those circumstances. Thus, those films don’t cover their painful resettlement process or the aspects of national division. However, low-budget independent films, though starring those who escaped North Korea, give more attention to a harsh capitalist society in South Korea,which results in their suffering. These movies describes their lives in South Korea. Zhang Lu, as a Chinese of Korean descent, describes North Korean defectors with patience in his films. He sticks to a warm point of view as if he represented his life as diaspora. On the other hand, A American director N.C. Heikin exposes cool-headedly human rights in North Korea.
참고문헌 (22)
- 곽경택, "태풍", ~ (2005)
- 안판석, "국경의 남쪽", ~ (2006)
- 장률, "경계", ~ (2006)
- 김동현, "처음 만난 사람들", ~ (2007)
- 김태균, "크로싱", ~ (2008)
- N.C. 하이킨, "김정일리아", ~ (2009)
- 장훈, "의형제", ~ (2010)
- 장률, "두만강", ~ (2011)
- 박정봉, "무산일기", ~ (2011)
- 전재홍, "풍산개", ~ (2011)
- 전규환, "댄스타운", ~ (2011)
- 강성률, "떠도는 인생, 지켜보는 카메라-장률 영화의 디아스포라", 현대영화연구, 7(1), pp.91~118 (2011), 현대영화연구소
- ‘무산일기’, "중앙일보", 2011
- 김경욱, "<의형제>의 환상, <경계도시 2>의 실재, 어느 쪽이 우리를 즐겁게 하는가", 영상예술연구, (17), pp.111~135 (2010), 영상예술학회
- 변정수, "한국에서 이주민으로 산다는 것-영화 <국경의 남쪽>", 비정규노동, (52) (2006)
- 변희원, "있는 그대로 담았더니 비현실적이라고…그게 北의 현실", 조선일보 2011.06.27, ~ (2011)
- 송광호, "<새영화> 냉혹한 北의 현실..‘김정일리아’", 연합뉴스, ~ (2011)
- 탈북자의 생생한 남한 생존기 ‘무산일기’, "스포츠조선, 2011.03.25", 2011
- 오경희, "민족과 젠더의 경계에 선 여성의 이산:강경애의 『소금』과 허련순의『바람꽃』 비교", 아시아여성연구, 46(1), pp.212~183 (2007), 아시아여성연구소
- 이지영, "영화 ‘크로싱’을 통해 살펴본 탈북자들에 대한 심리적 이해", 2008 한국심리학회 연차학술발표대회 논문집
- 정성일, "언젠가 세상은 영화가 될 것이다" (2010), 바다출판사
- ‘크로싱’에 대한 진지한 논의를 진보진영에 촉구한다, "신문고, 2008.06.18", 2008
