투르크민족 명창의 미학적 전통과 알타이 설화 “최르최크” 연구
A Study on the Esthetic Tradition of Turkic Master Singers and Altai Turkic Tale "Чöрчöк"
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In this article, we have examined the characteristics of the most popular narrative tradition of the Altai Turks and their relationship with other genres. One of the most important characteristics is that it has musicality, and it is expressed with various performance models according to musical melody. Comparing to the structure of the song in "Choirchoik(Чöрчöк)", it is similar to the various peoples living in the Altai region, similar to the musical scales of the Touba, Altai-Kizus, Celkan and Kumanjin provinces. The chord functions have absolutely different characteristics and have the specificities of the dialectic traditions of each Altai narrative. In the introduction, however, there is a pair of four-period rhyme formulas, which remain constant regardless of dialect or regional differences, which can be seen as the most structured music form. The song was used in the same sense as magic and purification to bring wishes and hopes into practice of peoples, and it was given magical meaning not only during dangerous winter season, but also mainly at sacrifices and funeral rituals. It is Surazakov who has focused on the interrelationship between "Choirchoik(чöрчöк)" and the origin of heroic epic. His view differs from Potanine and Zurmunsky. They saw that Altai's epic occurred in the genre of "Choirchoik(чöрчöк)", but Surazakov said that the interplay between these two genres was due to the mixing of the elements of the epic in the heroic epic. He saw the song appearing in the story as a result of the development of story, when a protagonist or another person encouraged to act, or conveyed something. The "Choirchoik" tradition, which can be seen as a tradition of the Altai Turks, is a very important data in identifying the relationship with the heroic epic, even though many researchers have not paid attention to it.
Abstract
In this article, we have examined the characteristics of the most popular narrative tradition of the Altai Turks and their relationship with other genres. One of the most important characteristics is that it has musicality, and it is expressed with various performance models according to musical melody. Comparing to the structure of the song in "Choirchoik(Чöрчöк)", it is similar to the various peoples living in the Altai region, similar to the musical scales of the Touba, Altai-Kizus, Celkan and Kumanjin provinces. The chord functions have absolutely different characteristics and have the specificities of the dialectic traditions of each Altai narrative. In the introduction, however, there is a pair of four-period rhyme formulas, which remain constant regardless of dialect or regional differences, which can be seen as the most structured music form. The song was used in the same sense as magic and purification to bring wishes and hopes into practice of peoples, and it was given magical meaning not only during dangerous winter season, but also mainly at sacrifices and funeral rituals. It is Surazakov who has focused on the interrelationship between "Choirchoik(чöрчöк)" and the origin of heroic epic. His view differs from Potanine and Zurmunsky. They saw that Altai's epic occurred in the genre of "Choirchoik(чöрчöк)", but Surazakov said that the interplay between these two genres was due to the mixing of the elements of the epic in the heroic epic. He saw the song appearing in the story as a result of the development of story, when a protagonist or another person encouraged to act, or conveyed something. The "Choirchoik" tradition, which can be seen as a tradition of the Altai Turks, is a very important data in identifying the relationship with the heroic epic, even though many researchers have not paid attention to it.
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