일제강점기 애국 로쿄쿠(愛國浪曲) <장렬 이인석 상등병>에 대한 음반 연구

Abstract

Naniwa-bushi(浪花節) was formed after the Meiji Restoration and emerged as a popular performing arts among the public in the era of imperialism as a wartime system. Also, after the Russo-Japanese War, it climbed into the nationalist trend with the subject of patriotism. And during the Manchurian Incident, the Sino-Japanese War, and the Pacific War, It created a patriotic rokyoku(愛国浪曲) and sympathized with the national policy. In other words, the Japanese imperialists actively used Rokyoku for the purpose of propaganda to their own people. However, Choi Young-jo was active in various fields related to Rokyoku in Japan. He was a show projector belonging to the prestigious Azumaya group of the Rokyoku organization, and served as the principal of the ‘Nippon Rokyoku School’, and he trained Choi Pal-geun as a Rokyoku-shi(浪曲師). In addition, during the Japanese colonial period, Lee Seo-gu of playwright and Choi Pal-geun of Rokyoku-shi created a new genre called ‘Korean Naniwa-bushi’. and they made the SP record <Heroic soldier, Lee In-seok>. In this thesis, I grasped the process of Lee In-seok becoming a ‘colonial human’ through the original novel by Hata Gensuke. Also, through the <Heroic soldier, Lee In-seok>, I reviewed the mechanism of depicting ‘Lee In-seok’s mind and body embodied in colonial education with excellent playwright and narrative skills. As a result, I confirmed that Lee In-seok's life and death became a model for colonial education, and it was used to mobilize the youth of Korean to the Sino-Japanese war.