신망(新莽)시대 깐쑤(甘肅)지역의 회화 표현법과 안료 수급 — 쭈옌(居延)지역과 우웨이(武威)지역 출토 자료의 분석을 중심으로 —

Abstract

In the twentieth century, because the tomb murals of Wei and Zheng Dynasties of the South and North have been found in the frontier areas of Gansu and Liaoning, they provide valuable data that can fill the painting history of this period which still in blank space. But the study on painting expressions of Gansu area in Wei and Zheng Dynasties of the South and the North has not been progressed in so much depth and detail so far. This study pays attention to the limitations of existing studies and it has been proceeded with investigating the development aspects of painting expressions formed in Gansu area, and the supply and demand of the pigment during Xin-Mang Dynasty as a base to identify the various differentiated aspects of painting expression of Gansu area formed in Wei and Zheng Dynasties. As the results of this study, it was confirmed that the painting expression of Gansu area formed in Xin-Mang Dynasty had developed it shown in Central Districts in the era of Han Dynasty into a more structured form and had put the awareness of the expressions to a new level. In other words, the expression of drawing in lines driven by the writing brush and the expression-oriented concept focusing on coloring were revealed with a more definite form. In addition, the painting expression of Gansu area formed in Xin-Mang Dynasty expanded even the base of painting expression media, accepting and bringing the expression media like the tomb murals into existence. In particular, the painting expression emerging during Western Han Dynasty, that is to place a simplified arrangement of a scene on the small boards, were revealed more vividly. Also, the type of pigment used in Xin-Mang Dynasty was much different from that of Western Han Dynasty. Unlike Western Han Dynasty which limited only three colors such as black, white and red, the supply of various pigments such as black, white, red, yellow, orange, blue and purple were shown in Xin-Mang Dynasty. However, the vulnerable base of pigment supply was revealed due to the limitation of the use aspect focusing on three colors such as black, white and red