日本 近世 시기 法華經字音學에 있어서의 韻書 인용과 淸濁 變容의 문제― 脣音 全淸・次淸字를 중심으로

Abstract

This paper examines the aspect of settlement process in Sino-Japanese Go'on is a review of the changes of Sei-Daku(淸濁) in Hokkekyo-ziongaku(法華經字音學) of modern Japanese. There are many things that do not match in Hokkekyo-Dokujyuon(法華經讀誦音) and it is also confirmed through interpretation of Sangebon, Nissobon and a book of annotation. Because such knowledge can also be seen in Kuzogebon(『九條家本』) or Hokkekyotanzi(『法華經單字』), it can be said to go up to the end of Heian(平安), at least in time. It is possible that the reason for this discrepancy is analogy and misspelling. This can be seen from the fact that, according to the whole of the other Seibo(聲母) is not covered in the data, Sei-on(淸音) of Zen-daku(全濁) is more than Daku-on(濁音) of Zen-sei(全淸) and Zi-sei(次淸). However, it needs to be reviewed according to the letter since it can be found that Sei-daku(淸濁) uses different types of Itaizi(異體字, a different character of shape) or Seibo(聲母) is used by different types of Seibo(聲母). As a result, the source of the Sei-daku, which does not coincide with the Middle Cineses, was subdivided as follows. ① Xiesheng series itself is Daku'on, and it is used as it is. ② Letters with the same Xiesheng series a have Sei'on and Daku'on, used without distinguishing it. ③ Variant Chinese characters has Daku'on, used without distinguishing it ④ Sei-Daku is divided according to word class or Vocabulary of Chinese and used without distinguishing it ⑤ Daku'on by a Sin'daku seems to be fixed ⑥ Sei'ten(marks for the “Four Tones” of classical Chinese) of error