<王會傳>의 시간구성과 중화의식

Abstract

This thesis is study of subject intention by formality such as time-composition about <Wanghoejeon>. This work reflect the realization about China in the second half of Joseon period. At that time China was governed by Qing as Míng Dynasty was be destroyed. As aspect justification, they could not admit a barbarian Qing but as aspect culture, could not regard as just a barbarian. So realization of Joseon about that was very complex and delicate. <Wanghoejeon> is the outcome of spurious narration which reflect this reality. This thesis approach the different direction which is not about a creation time and writer that was done with previous study. To include the realistic and heavy subject such as realization of Qing and reality, this thesis emphasis on re-arrangement of ‘the narrated time’. As knowing from the title, kings of China appear and discuss about rise and fall. <Wanghoejeon> is unique in being in harmony between foundation and uprising. To describe a realization of Qing and reality of Joseon, plot was re-arranged without obstacle of time. Holpilyol’s revolt of The Yuan Dynasty is in the head. According to history, Cho’s Hangou’s story must is narrated, but devise the reverse-time composition to show changing realization of ‘Jungwha’. Also, in <Wanghoejeon>, writer look back history at the same time relation with that times. ‘Remembrance’ of past reign of peace is common narrative method, but in <Wanghoejeon> this is devised to emphasize historycal cycle reasoning. In other words, in <Wanghoejeon> ‘Remembrance’ is utilized as equipment of literature to show mind that want to stop barbarian’s times. In this work, it is very distinctive that there are eight-letter assessment about 208 persons. These persons appear in work and make role in narrative just as introduction player in modern drama. King’s assessment is done by the Ming-dynasty’ beginner and liege’s by Zhuge Liang. It is show loyalty for Ming-dynasty and ChoK-Han legitimacy that establish Ming-dynasty’ beginner and liege’s by Zhuge Liang as a critic. Zhuge Liang’s assessment is not followed time order. Writer put Judoni in head, it is an example of showing the Juja-center-weltanschauung. Following plot is about Jong-i, Jongho, Juhee support this analysis. Author shows subject by narrating person’s assessment with reflecting contemporary universal standpoint. It is realized by re-arrangement of ‘the narrated time’.