신라토기 중기양식의 설정과 의의

Abstract

Silla pottery is generally represented by an alternating window of a double-window mounted cup. This simple epistemology is widespread in academia and is rather an obstacle to proper Silla pottery research. Since Silla pottery goes through the same development process as organisms from the generation to the diffusion period of pottery, its meaning varies according to the times. The author identifies this Silla pottery as an early-mid-late-unification style, focusing on pottery. The centre of the early style cannot be limited to Gyeongju area, and it is widespread in the southeastern part of Yeongnam, but rather, the Busan area should be the centre. The pottery with distinctive characteristics of Gyeongju is the middle-period style. Since then, with the expansion of Silla's territory, it has gradually expanded and spread beyond Gyeongju. This paper attempted to examine the middle-period style of this Silla pottery classification. This style is represented by “a mounted cup with double layer mount”, “a lid with a miniature mount” and “a pattern decorated by carved line”. In fact, this middle period was a time when small countries were established in various regions of Yeongnam, and pottery with clear regional characteristics was produced. It is a style of pottery that was produced throughout most of the Maripgan period, represented by the wooden chamber tomb with stone mound in Gyeongju. First, the location and significance of the middle-period style were clarified, and after presenting the chronology of the ancient tombs. Finally, the point of unification from the initial dualization between the ancient tombs in the center of Gyeongju and the outer regions in terms of production and supply and demand was the 4th quarter of the fifth century to find the significance of the the middle-period style in the development of the entire Silla pottery.