19세기 청대 법랑채자기의 對동남아시아 수출 연구 - 페라나칸 자기를 중심으로

Abstract

This study focuses on the consumption and acceptance of the Malay Peninsula, which emerged as a new consumer of porcelain enamel ware in the Qing Dynasty in the 19th century. Through Peranakan porcelain, which represents the special characteristics of the Chinese ceramic trade history, we aim to restore the cause of the Qing Dynasty's trade in Southeast Asia in the 19th century and the distribution network of both countries. In addition, it was intended to study the background of the active distribution and diffusion of Peranakan porcelain(Fencai, Guangcai) made for export in the Qing Dynasty and the problems of leading them, and to find out the specificity and meaning of enamel pottery from the Qing Dynasty in Southeast Asian Chinese culture. According to the literature records, the share of Chinese ceramics in the international market in the 19th century continued to struggle due to European or Japanese porcelain. As a result, Qing China is believed to have expanded its market to Southeast Asian markets to develop new markets and secure consumers, and in fact, it is estimated that it has mass-produced Peranakan porcelain for these tastes by giving up the hopeless European market and focusing on the Southeast Asian market, especially Singapore and Malaysia. Although Jingdezhen folk Kilns were shrinking, it was shown that the production and export process did not change significantly as it pioneered a new market, Namyang (南洋, Malay Peninsula). In the background, the role of Chinese merchants, which emerged as an emerging force after the Opium War in the 19th century, was decisive, and Shanghai, a major trading district for Chinese merchants, naturally became a collection of Peranakan porcelain. Even Chinese merchants have set up facilities specializing in producing and distributing Peranakan porcelain in Jingdezhen and Shanghai for the growing Namyang trade. Literature records and on-site surveys showed that the role of Chinese merchants was very important in the ceramic trade in the Qing Dynasty and Southeast Asia in the 19th century. Furthermore, Peranakan porcelain, which was a structure that could be “ordered” by selecting the desired form based on the status and financial power of Chinese merchants, represented the identity of Southeast Asian Chinese, or Peranakan.