권정생 동화에 나타난 사랑의 양상과 의미 - 「중달이 아저씨네」와 「빼떼기」를 중심으로-

Abstract

This article takes a look at the aspect and meaning of Love with the focus on Uncle Jungdal and Bbaddegi, the fairly tales of Kwon Jung-saeng. Main flow of literature of Kwon Jung-saeng is ‘Love’ and the manifestation method of the love is displayed in the tendency of freedom from avarice and generosity in the works. First of all, Bbaddegi displays the point of view of generosity(générosité). This work has the chicken with burning injury to pay attention to the fact that practice of love turns into a situation with impossible to practice love in encountering of the situation of external violence when people follows the method of division for the method to practice sharing. In particular, as the first victim of a war, the death of Bbaddegi is even more tragic in the point that sacrifice of the most vulnerable and pitiful being would be the starting point of violence in this story. Under the reality where war or illegal force controls, humans attempt to practice love through generosity, but this is failed by physical force at all times that Bbaddegi inquires paradoxically what method should be facilitated for practicing of true love. Next, in Uncle Jungdal where the point of view of freedom from avarice(désintéressement) is well displayed, an idiot is emerged to tell that sharing through freedom from avarice would be the method that displays the relationship of true human and the world. In this work, Uncle Jungdal part away with the existing traditional value of exchange in the point that it facilitates the criteria in buying goods like 'one piece, two piece' and so on, not the method of understanding with the social standard unit of land in 'One Parcel, Two Parcel' and so on when its share is divided. This work structures the narrative of irony in that the expression of ‘Love’ in paradoxical way to be available when the passion of freedom from avarice to give a half of mine and then the rest is all given away, not for the method of installment. As such, these two works formulate aesthetically that the point of view on freedom from avarice is much more humane method of love when Kwon Jung-saeng displays the love. However, this article has significant limitation in the point that it is the study limited on two fairly tales of Kwon Jung-saeng. The insufficient parts in this study would be supplemented through the studies at a later time.