다케히사 유메지와 관동대지진 그리고 조선 ― 회화와 사상성 ―

Abstract

Takehisa Yumeji, one of the greatest painters and literary figures who have made great contributions during the three periods of Meiji, Daisho, and Showa painted “women with big, sad eyes” who are called “Yumeji beauties.”However, it was unfortunate that little has been written about him in Korea, where his image as a popular artist had been overwhelming. He had keen insights into society as well as great sensibility as an artist, especially his work on the Great Kanto Earthquake. In an attempt to calm down the nation, the Japanese government spread rumors that the Joseon people were rioting. As it got worse, enraged Japanese people killed as many as 6,000 innocent people with bamboo spears. Yumeji compiled a report in Tokyo Sainan Gashin with his writings and paintings expressing his critical awareness of the problems and genuine interest void of racial and national prejudices, presenting facts as well. His satirical yet calm view of the massacre of the Joseon people in Vigilante game of Tokyo Sainan Gashin reflects his humanist ideals. The social consciousness of Yumeji, who tried to convey the suffering of the Joseon people, was also reflected without any bias in his postcard in commemoration of Japan-Korea Annexation. With his humble and sharp criticisms, he deserves higher evaluations since his work sheds light onto the aspects of Yumeji that sought after ideal beyond a popular painter and writer who enjoyed great popularity.