최인규 아동영화와 외국영화의 관련성

Abstract

This study examined the children movies like Sueomnyo(1940), Jip eomneun cheonsa(1941) that Choi In-gyu has directed in Japanese colonial era in connection with foreign movies. In old days, these movies were mainly examined in connection with film world's inside and outside conditions. Children movies were forming one flow in from 1920s. In the silent picture days, children movies that have described psychological discord suffering at family have formed the center. This flow has been connected to the sound picture days, In those days, children movies that have handled reformation of vagabond children who have escaped frame of family or school were a box office hit. In chapter 2, I considered the first children movies of Choi, In-gyu, Sueomnyo contextualizing foreign works like Visages d'enfants(1925), Poil de carotte(1932),La maternelle(1933) in the context of home melodrama. And, in chapter 3, I considered the second children movie, Jip eomneun cheonsa contextualizing foreign works like Putyovka v zhizn(1931), Wild Boys of the Road(1933), Boys Town(1938), Prison sans barreaux(1938) in the context of reformation․enlightenment movie. Through such discussions, We can recognize the dynamic relation which Joseon movie circle has entered into with foreign movie circles. Furthermore, we can overcome the limitations that we have often seen Joseon movie circle in view of national history, and understood movie circle of Colonial Joseon in relation with worldwide flow.