부산항의 장소성과 그 재현－윤정규와 윤진상의 소설에 나타난 산업화 시기의 ‘부산항’을 중심으로

Abstract

Busan Port is a key keyword that explains Busan's urban identity. The history of Busan Port's construction and use overlaps with the establishment of the modern city of Busan and the history of Busan's urban development after that. In the construction and utilization of the space called Busan Port, the desires and logic of the subject of the colonial empire and the post-colonial state are implemented. In addition, Busan Port has formed a unique sense of place and affection in people's memories through the numerous historical events that took place there, as well as the people who survive and live there. The role played by various discourses of representation and representation in the formation of that sense of place is enormous. The full-fledged discussion on the reproduction of Busan Port was centered on the short stories of Jeong-gyu Yun and Jin-sang Yun. There are very few novels about Busan Port itself. There are even rarer novels that depict the life history of the vagrants and the poor from their own class point of view. With Busan Port as the background, these works, which deal with smuggling, port-related labor, and the lives of the poor, can look back on the truth behind the development and modernization that took place in earnest after the 1960s. Yoon Jeong-gyu's 'The Story of Hansu' introduces the spatial structure of Busan Port in detail, while expressing the smuggling that takes place therein in detail. This novel expresses through empirical narratives such as the US military club near the pier and 'Yangkongj', the treatment of seafarers, the actual conditions of cargo handling, smuggling, and the cholera epidemic after liberation. Yoon Jin-sang's 'City of Anti-Corruption' and 'Sunshine in a Hole' focused on the victims of industrialization in the 1970s through humanism.