루쉰(魯迅)의 초상 -1960~1970년대 냉전문화의 중국 심상지리-

Abstract

This study is a reconstitution of Lu Hsun’s reading of Korean history, especially during the Cold War in the 1960s and1970s. Lu Hsun reverted to becoming a ‘Chinese Communist’, when Mao commented on the ideological geography of the Cold War in the Republic of China/ Chinese Communist Party, though Hsun died before the establishment of socialism ‘Chinese Communist Party’. In Korea, at the time of the Cold War, the left-leaning idea of Lu Hsun was repressed, but his right-wing one was made much of and promoted. In the Korean culture of the Cold War, in the 1960s and 70s, Lu Hsun was transformed into a humanist, illuminati, and even further, an anticommunist, by focusing on the initial stage of his career. This article illuminated the fact that there was a movement of utilizing it as the base for resistant and progressive ideas, by changing the progressive and socialistic aspects of his identity, by analysing the way he was portrayed in textbooks, liberal art, Lu Hsun’s collection, and the complete series of world literature, even though Hsun’s overall views were characteristic of predominantly right-wing. In the analysis of Jirisan, Lee Byung-joo revealed that the issue of North Korean partisanship, a taboo of Korean society, came to fore in the critical point of the Red Complex, by representing Lu Hsun as a revolutionary and humanistic character, though Hsun himself criticized Communism. Finally this study confirms that the search for ideological innovation by Lee Young-hee, who tried to be a Korean Lu Hsun, was a crux in the acceptance of Lu Hsun at that time, while describing China in the 1930s with Korea in the 1960-70s in the way of counterpoint.