풍요에 대한 두 가지 양상: 쟈코비안 도시희극에 재현된 결혼과 성적 거래의 사회적 수용양식 ―토마스 미들톤의 『칩사이드의 요조숙녀』
Two Aspects on Prosperity: Social Acceptance Modes on Marriage and Sexual Trade Represented in Jacobean City Comedy―Thomas Middleton’s A Chaste Maid in Cheapside
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The purpose of this study is to examine how Jacobean marriage and sexual trades are represented in Thomas Middleton’s A Chaste Maid in Cheapside. A Chaste Maid in Cheapside has been often evaluated as one of the representative city comedies which vividly show typical characteristics of Jacobean city comedies. This research is to study both the desire for the social class changes and the trade aspects of social conflicts, which are reflected in the play. Jacobean marriage often became the passage to heighten social classes, and A Chaste Maid in Cheapside is a good example to see how the City Comedy dealt with the social class conflicts as well as the materialist interests in marriage between generations of the era. However, under comic plots of the play, some serious subjects on the Jacobean cultural discourses of marriage and class struggles are deeply concealed. This paper is to study how the cultural discourses and class struggles are dramatically represented in the play, considering historical and cultual environments of the era.
Abstract
The purpose of this study is to examine how Jacobean marriage and sexual trades are represented in Thomas Middleton’s A Chaste Maid in Cheapside. A Chaste Maid in Cheapside has been often evaluated as one of the representative city comedies which vividly show typical characteristics of Jacobean city comedies. This research is to study both the desire for the social class changes and the trade aspects of social conflicts, which are reflected in the play. Jacobean marriage often became the passage to heighten social classes, and A Chaste Maid in Cheapside is a good example to see how the City Comedy dealt with the social class conflicts as well as the materialist interests in marriage between generations of the era. However, under comic plots of the play, some serious subjects on the Jacobean cultural discourses of marriage and class struggles are deeply concealed. This paper is to study how the cultural discourses and class struggles are dramatically represented in the play, considering historical and cultual environments of the era.
참고문헌 (14)
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