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이동하 소설의 환상기법 연구

A Study on Fantastic Technique if Lee, Dong Ha's Novel

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초록

He, Lee, Dong Ha has been known as a novelist who wrote a novel out of his experience, however he wrote even writings which made use of a fantastic technique continually. But such a kind of writings did not little attract people's attention. This thesis is to consider the world of his writings which built an exquisite harmony and turning-point of daily events and fantasy to make use of a fantastic technique. The major motive to make use of a fantastic technique in his novel divides broadly into three categories. Firstly, as the motive of alter ego, he criticized a fearful alternative capacity for manpower in a society of capitalism through it. This aspect was the gloomy self-portrait of the Korean society in the year 1970 and he denounced it to make use of the motive of alter ego. Secondly, He made use of the spirit-motive. The author asked about a true value and meaning of life to extend his viewpoint about human's life and death through such a technique. Lastly, the characters in novel made use of ways of a space transformation or locomotion to a strange place without his own will. He tried to satisfy the desire of deviation for the characters which got forced down in everyday life by using of such ways. But, we could not recognize that the original aim was perfectly accomplished in the point the characters of deviation from a reality returned to everyday life. He, Lee, Dong Ha is one of authors introduced to fantastic technique in the history of our novel earlier on relatively. The researcher suppose that the reason why he wrote a novel through such a methodology was a result of taking great pains over a formal aspect of the novel. His novels contributed to intensification and extension for his world of works. It is unable to put something out of our mind that there was no difference nearly from the existent things and as such kind of novels was no many original works.

Abstract

He, Lee, Dong Ha has been known as a novelist who wrote a novel out of his experience, however he wrote even writings which made use of a fantastic technique continually. But such a kind of writings did not little attract people's attention. This thesis is to consider the world of his writings which built an exquisite harmony and turning-point of daily events and fantasy to make use of a fantastic technique. The major motive to make use of a fantastic technique in his novel divides broadly into three categories. Firstly, as the motive of alter ego, he criticized a fearful alternative capacity for manpower in a society of capitalism through it. This aspect was the gloomy self-portrait of the Korean society in the year 1970 and he denounced it to make use of the motive of alter ego. Secondly, He made use of the spirit-motive. The author asked about a true value and meaning of life to extend his viewpoint about human's life and death through such a technique. Lastly, the characters in novel made use of ways of a space transformation or locomotion to a strange place without his own will. He tried to satisfy the desire of deviation for the characters which got forced down in everyday life by using of such ways. But, we could not recognize that the original aim was perfectly accomplished in the point the characters of deviation from a reality returned to everyday life. He, Lee, Dong Ha is one of authors introduced to fantastic technique in the history of our novel earlier on relatively. The researcher suppose that the reason why he wrote a novel through such a methodology was a result of taking great pains over a formal aspect of the novel. His novels contributed to intensification and extension for his world of works. It is unable to put something out of our mind that there was no difference nearly from the existent things and as such kind of novels was no many original works.

참고문헌 (11)

  1. 이동하, "第三世代 韓國文學10" (1985)
  2. "밝고 따뜻한 날" (1987)
  3. "우렁각시는 알까?" (2007), 현대문학
  4. 김태환, "문학의 질서" (2007), 문학과 지성사
  5. 조남현, "장삼이사(張三李四)의 서사, 그 프락시스", (여름) (1998)
  6. 황병하, "메타비평을 위하여" (1997), 민음사
  7. J. Childer, "현대 문학문화 비평 용어사전" (1999), 문학동네
  8. Kathryn Humme, "환상과 미메시스" (2000), 푸른나무
  9. Mikkail Bakhtin, "장편소설과 민중언어" (1988)
  10. R. Jackson, "환상성-전복의 문학" (2001), 문학동네
  11. Tzvetan Todorov, "환상문학 서설" (1996), 한국문학사

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