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전상국의 소설 창작방법 연구

The study of the writing techniques in Jeon Sang-guk's novels

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참고문헌

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주제분류문학

초록

This thesis is to study the writing techniques in Jeon Sang-guk's novels. As you know, the writing techniques of the novel is freer than other genres. So the novel is defined as anti-art. I think that's why the writing techniques of the novel is important. The novel, anti-art which is between art and not art by the unfinished form, the progressive form becomes the real art by the writing techniques. The writing techniques is not a simple notion or theory. It is inseparably related to man's experiences and practices. That is, it is adhered closely to the man's daily life. The novel is history itself, I think. Therefore studying the writing techniques is very important to understand both the writer as the subject of the novel and the novel as the writer's works. Generally Jeon shows the tragic world in his novels. His tragic world is related to the historic irony. He thinks the exclusive social positions and the gap between rich and poor bring about the destruction of our communities. And he thinks that the world is more tragic by Korean war, the identification of education and the selfishness of the capitalistic victims. I studied Jeon's writing techniques to show the themes in his whole works. First, Jeon creates the typical character as a man of the tragic world understanding. His characters are not ordinary but special. He used the typical characters to tell the history irony. And he described the extreme situations in the world through the characters' actions. He emphasizes such situations are the tragic reality. Second, Jeon chooses the antagonistic relationship to keep the characters' tension. The opposition is largely rich and poor, social position, man's values, and ideology and so on. The symbolic characters as men of the tragic world understanding are rather ethic and ideologic than delicate and timid. So they are opposed to the opponents and such opposition is rather group and collective than single and individual. As a result, the opposition is stronger and stronger. Lastly, Jeon uses the typical reasoning technique for making the plot of the novel. He resorts to tricks which the readers guesses the ending of the novel and then he leads them to solve the ending themselves. At last, the readers find the harmers whom he creates in his novels but they realize that the harmers are the indistinct subjects, that is, history itself and punishing them is impossible. In other words, Jeon shows the world tragic repeats itself through the reasoning technique in his novels.

Abstract

This thesis is to study the writing techniques in Jeon Sang-guk's novels. As you know, the writing techniques of the novel is freer than other genres. So the novel is defined as anti-art. I think that's why the writing techniques of the novel is important. The novel, anti-art which is between art and not art by the unfinished form, the progressive form becomes the real art by the writing techniques. The writing techniques is not a simple notion or theory. It is inseparably related to man's experiences and practices. That is, it is adhered closely to the man's daily life. The novel is history itself, I think. Therefore studying the writing techniques is very important to understand both the writer as the subject of the novel and the novel as the writer's works. Generally Jeon shows the tragic world in his novels. His tragic world is related to the historic irony. He thinks the exclusive social positions and the gap between rich and poor bring about the destruction of our communities. And he thinks that the world is more tragic by Korean war, the identification of education and the selfishness of the capitalistic victims. I studied Jeon's writing techniques to show the themes in his whole works. First, Jeon creates the typical character as a man of the tragic world understanding. His characters are not ordinary but special. He used the typical characters to tell the history irony. And he described the extreme situations in the world through the characters' actions. He emphasizes such situations are the tragic reality. Second, Jeon chooses the antagonistic relationship to keep the characters' tension. The opposition is largely rich and poor, social position, man's values, and ideology and so on. The symbolic characters as men of the tragic world understanding are rather ethic and ideologic than delicate and timid. So they are opposed to the opponents and such opposition is rather group and collective than single and individual. As a result, the opposition is stronger and stronger. Lastly, Jeon uses the typical reasoning technique for making the plot of the novel. He resorts to tricks which the readers guesses the ending of the novel and then he leads them to solve the ending themselves. At last, the readers find the harmers whom he creates in his novels but they realize that the harmers are the indistinct subjects, that is, history itself and punishing them is impossible. In other words, Jeon shows the world tragic repeats itself through the reasoning technique in his novels.

참고문헌 (22)

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  2. 전상국, "하늘아래 그 자리" (1979), 문학과지성사
  3. 전상국, "형벌의 집" (1987), 한겨레
  4. 전상국, "지빠귀 둥지 속의 뻐꾸" (1989), 세계사
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  8. 권영민, "한국현대문학사 2권", pp.307~ (2007), 민음사
  9. 김윤식, "소설이론과 창작방법 논의", 한국학보, 5(4), pp.148~ (1979), 일지사
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  11. 김천혜, "소설 구조의 이론" (2010), 한국학술정보
  12. 서종택, "한국 근대소설의 구조", pp.13~ (2003), 국학자료원
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  14. 오탁번, "서사문학의 이해", pp.146~ (2008), 고려대학교출판부
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  16. 이상우, "이상우의 추리소설탐험", pp.79~83 (1991), 한길사
  17. 정규웅, "추리소설의 세계", pp.81~ (2003), 살림
  18. 정한숙, "소설기술론", pp.98~ (2003), 고려대학교 출판부
  19. 에르네스트 만델, "즐거운살인", pp.91~ (2001), 도서출판 이후
  20. 이브 뢰테르, "추리소설", pp.119~121 (2000), 문학과지성사
  21. 르네 웰렉, "문학의 이론", pp.324~ (2009), 문예출판사
  22. 토마 나르스, "추리소설의 논리", pp.226~ (2003), 예림기획

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