상실의 시대 체험과 멜랑콜리의 미적 전략 - 이동하의 90년대 이후 소설을 대상으로

Abstract

The thesis is examined that meaning and characteristic of writing by author, forming the Korean man for the modern age experience after the War and war through the emotion of melancholy of elderly generation male, mentioned in novels since the 1990s of Lee Dong Ha. The heroes of Lee Dong Ha novels are the male subjects that mobilizing in project for country rebuilding, are born directly after liberation, On his door step and Does the ponds nail wife know that?, were published since the 1990s, these would see the shadow of Melancholy by posting the devastate dinner and chastity of a strong nothingness in the front side of stage. The Melancholy is not the experience sense of characters in a novel but the aesthetic strategy that implying analys is and criticism conscious ness about modernization of Korea. The author is emphasized the Melancholy necessity of new culture creation and watched the mental social reaction about Korean modern times experience not fate that can’t get out of a fatal sentiment with seeing the tears and unglued face of fathers strategically. First of all, the Melancholy is suggested that destroying the daily routine ‘pretend’ violence but actually this is gave a hint the emotion that characters in the novel are searching around. If daily life is established on avoidance or sublime of disgusted something, this would be crack in the daily life by connecting the moving depression and violence. On the other hand, the emotion of melancholy is the wound that leaving by war, the struggles to gain the house after war and an expression of sad recognition about damaged identity of the male men that are driven out as existence machine during the process. Ultimately, moving trauma has latent unspeakable any truth and this can be heard only a cry for pain also criticized the recent time planning of Korea substitute the desire about modernization for the trauma of war by suggested that impossible to symbol by an ordinary history narrative. This is showed that repetitive writing of original experience, trauma looks like to prove the contrary that can’t remember in its entirety, disuse of descriptive conclusion. The novel of Lee Dong Ha is suggested that emotion of melancholy , sense of emptiness, anxiety, suspicion , anger and so on are reality that fulfilled with cultural, historical and objectivity. He puts into a emotion of melancholy, a fatal sense of loss that can’t mourn for the contemporary history. He calls out a trauma that can’t prescribe, express a symbol and give a name as a name of loss and presents various aesthetic strategies to call into the realm of existence for it, substantiated and in existent. His novel is guided common compensation mind in a while but he makes the melancholy to strategy mournful intelligence that reflecting the meaning of modern time of Korean.