백석 시의 알레고리 연구

Abstract

In this study, it is necessary to approach broad discourse on Baek Suk’s Poetry. For a theoretical framework, this study suits theory of Allegory that suggested by Walter Benjamin. In broad meaning, allegory includes not only a parable that compares 1:1, but cares poetic subject’s discourse to poetic world. Comparing with symbol that assumed salvation of god, Allegory exposes meaningless of worlds through mon-tage old things and the ‘out of dates’. It is said that poetic subject’s consideration to the ‘others’, but in this work, it is necessary to check up something different in 「jeongjusung」, 「jeongmunchon」,and 「hinbam(white night)」. Because in these poets readers can find subject’s absentmindedness. Between these emotional difference, poetic subject’s understandfailure of identity and absent object for affection. Chapter 2 explains allegoric discourse of subject who finds the world lost in two ways, ‘showing fragments’(「palwon」) and ‘story-telling’(「goyah(old-night)」. Fragments means a small piece that shows a whole aspects of life. From that, it could be get a glimpse of the way people lived then. In these two discourse, absentmindedness of subject can be replaced the desire to maintain the lost world. Chapter 3 analyses allegoric discourse of subject who finds the absence of love in two ways, ‘thinking’(「neaga saeng-gakhanun keutun(what I think)」, 「Tongyoung」) and ‘becoming’(「hamjusicho」). It is possible in melancholic subject space. In conclusion it could be find that all contrasting ways of discourse are not separated from each other. And lack of historic approach and delicate analysing theory of ‘fragments’, it would be studied in next work.