오규원 시의 풍경과 인식에 관한 연구

Abstract

In a sense that the landscape, which was revealed in Oh Gyu-won’s poetry, was revived in language, it will be said to be a result of linguistic distribution, which was reconstructed elaborately. A problem about distribution is what brought about a change in character and contents of poetry according to a poet’s eye movement. First of all, when a poet looks out on a long distance, the choice in object and the principle in exclusion are distinctly revealed in the landscape of poetry. Landscape is reconstructed amid linguistic order. However, there is no place in which poetic subject will intervene. Movement to a short distance is linked to psychological intimacy. Activity of objects shows specific aspect. Exchange between subjects and objects are begun. As this is shown to be intervention of the subject, it comes to grant a meaning to phenomenon of object or to reveal the certain analytical decision. This change is possible when relationship between poet and objects is made with horizontal relationship, not with hierarchical one. Irony occurs here. When observing object in a short distance and reviving this, the intervention of the subject increases. On the other hand, it is a fact that a poet oneself as the subject of recognition is being gradually reduced. This is recognition as saying that a human being is also existence of forming the universe, namely, a kind of selfexpansion. The subject of intervening in a piece of work and the selfrecognition as saying that oneself is just one constituent in the universe elicit poetic tension. This fact also suggests that Oh Gyu-won’s poetry comprehends the critical perception and the civilizationally critical elements on the eye of modern subject. It results from a point that is making a place of coexistence with objects while minimizing the subject, not the consciousness of trying to take a view of, to analyze, and to judge object in the human-subject position.