錦舲 朴永輔와 蘇東坡

Abstract

This paper was written to clarify Keum-Ryeong's status in the nineteenth century Korean literature through investigation of Keum- Ryeong's literary works and "Su Dong-po(蘇東坡:1036～1101) syndrome" at that time. Keum-Ryeong(錦舲 朴永輔:1808～1872) had served as a civil official since 1840. His prominence was not limited to the governmental post, but reached to the literary works. Amount of his literary collection is up to 41 volumes including over 3,200 poems besides his various essays and short stories. Keum-Ryeong learned his rhetoric skills by Ja-Ha(紫霞:1769～1847) who was at the center of literature at that era. Also, Keum-Ryeong associated with Da-San(茶山:1762～1836) and Cho-ui(草衣), and he organized a poetry club with Lee-yuwon(李裕元). Especially, association with Chu-Sa(秋史:1786～1856) and Ja-ha made him to be at the core of so-called "Dong-po(蘇東坡:1036～1101) syndrome." The adoration of Su's works was triggered by Weng Feng -gang(翁方綱), and it was naturally shared with Chu-sa and Ja-ha. The admiration even grew into cultural movement such as possession of Su's statue and a memorial service of him. Keum-Ryeong enthusiastically accepted and developed "Dong-po Syndrome" in the 19th century Chosun dynasty. Most notable point is that Keum-Ryeong went one step further by emphasizing academic aspect of the movement. He even named one of his works 'Nokgyunjip(綠筠集)' to show his yearning toward Su Dong-po. Furthermore, he made a seal inscribed 'Yousoipdu(由蘇入杜)' to keep Su's thought in mind. Despite his various literary works and cultural insights, Keum-Ryeong did not attract much academic recognition compared to others. This study asserts that Keum-Ryeong not only was an important figure but also played a leading role of literature and art of the 19th century. Particularly, he was highly receptive toward the epidemic fever of Su Dong-po's works in addition to his absolute dedication for Su's literary talent and style.