접속법과 다음성- Guillaume와 Ducrot의 이론을 중심으로
Subjunctive Mode and Polyphony - Based on the Theories of Ducrot and Guillaume
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This paper proposes an analysis of the subjunctive mode in French based on the theory of polyphony(Ducrot, 1984). According to Guillaume(1971), the subjunctive, as a modal system, represents the time images of incomplete chronogenesis, and thus, retains the viewing idea in the domain of possibility. This interpretation of subjunctive can be explained as a maker of polyphony in agreement with Ducrot(1984)'s model. The subjunctive in itself carries the instructions for polyphony with two opposing viewpoints - one positive and the other negative - and the speaker may choose one or the other viewpoint or maintain the alternative
Abstract
This paper proposes an analysis of the subjunctive mode in French based on the theory of polyphony(Ducrot, 1984). According to Guillaume(1971), the subjunctive, as a modal system, represents the time images of incomplete chronogenesis, and thus, retains the viewing idea in the domain of possibility. This interpretation of subjunctive can be explained as a maker of polyphony in agreement with Ducrot(1984)'s model. The subjunctive in itself carries the instructions for polyphony with two opposing viewpoints - one positive and the other negative - and the speaker may choose one or the other viewpoint or maintain the alternative
참고문헌 (16)
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