신자유주의 시대, ‘치유(治癒)’ 혹은 ‘기망(欺罔)’의 텔레비전드라마 – 언론과 법조 소재 미니시리즈를 중심으로

Abstract

Television dramas function as substitutes for insatiable desire to be met in the real world. Television dramas exposing political or economic ills have become socially issue. It was because of the desire to see television dramas that were difficult to see in real life, which is difficult to see in real life. But it is unclear whether television dramas dealing with political or economic sensitivities have dealt with real world anger or have dealt with trauma. In a television dramas that tend to reflect societal changes, they tend to deal with political or economic sensitivities. Television dramas dealing with real-life reality have focused on the viewer’s attention amid a meaningless reality separating real-life reality and dramatic fictional worlds. The study noted that television dramas dealing with the problems of the prosecution and the media were aired at a similar time. The study analyzed the dramatic situations and characters in the legal and journalistic backgrounds, <Pride and Prejudice>·<Punch>·<Pinocchio>·<Healer>. Based on this, the poetic definition of a poetic definition of a happy ending may be different from the actual reality of the real world. Through this study, the Poetic Justice of a television dramas that deals with the realities of legal and journalism has ironically demonstrated the possibility of covering up the problem of questionable reality. Through this study, television dramas dealing with the problem of questionable reality did not realize that they did not healing trauma caused by the neoliberal economic system. Rather, it came to the conclusion that it is necessary to reflect on the fact that the reality of the problem is that the problem was resolved.