도교 신화 <조군영적지>와 제주 신화 <문전본풀이>의 조왕 서사 비교

Abstract

This paper compares the two aspects of the Jowang(God of the furnace in kitchen) narrative enjoyed in the late Joseon Dynasty. One is the Taoist mythology <Jogunyoungjuk-ji: Records of Jogun’ spiritual deeds>, which was translated into Korean and published at the national level. <Jogunyoungjuk-ji> was written in China in 1826, and was translated in 1881. The narrative of the kitchen god Jogun, or Jowang, which is one of the Gods of house, was constructed in the manner of Gwonseonseo(a book that encourages good). The general contents dealt with the taboos to be careful of in the daily life of the individual unit, and generally linked the cleanliness and elaborate attitudes of life centered on the kitchen with the conclusion of Hwabok(disaster and happiness). In particular, there is an epic feature that shows the theory of Hwabok Seungbu(the amount of calamity and happiness depends on whether you are contraindicated or not). Jeju myth <Munjonbonpuri: Story of God of Door> is a work that elaborates the history of the various house gods, including the Jowang and MunJon(front door). He embodied the house deity as a family member with qualities of good and evil, wisdom and foolishness, and proceeded to narrative centering on their conflicting relationships. The family narrative of <Munjonbonpuri> ended to establishing a good mother, Ms. Yeonsan (Jowang), as the center of the house, and it is the wise son Nokdisaengin(God of front door) who actively practices this. As a family member who confronts them, the evil concubine Noiljedae(God of bathroom) and the most foolish Namseonbi(God of gate) come out. However, the narrative of <Munjonbonpuri> gives a role to play a part of the house without punishing them while punishing evil and stupid people. This is a narrative aimed at the role theory of good and evil, wiseness and foolishness. The two aspects represent the response and response to the crisis faced by the social community in the late Joseon Dynasty. The epidemic that prevailed throughout the late Joseon Dynasty stimulated awareness of the problem of hygiene. Jowang is a house god who presides over the dignity of the family, and is a kitchen god who needs to attach great importance to cleanliness. In this regard, the narrative of <Munjonbonpuri>, which emphasizes the role of family members by emphasizing the distance between the kitchen and bathroom, as well as <Jogunyoungjuk-ji>, which emphasizes taboos in the life of the individual, are both self and community It can be regarded as emphasizing life ethics and relationship ethics to protect. In view of the epidemic of an epidemic that can endanger the nation, starting from one person, the individual's daily taboos are linked to family ethics that protect the family community, and the right position and role of the family is related to the social ethics that protect the community.